We Can Be The New Wind
Superfan Alexandros Anesiadis writes the encyclopedia of post-hardcore, melodic punk from around the world, We Can Be The New Wind. Bob Pomeroy reviews.
Superfan Alexandros Anesiadis writes the encyclopedia of post-hardcore, melodic punk from around the world, We Can Be The New Wind. Bob Pomeroy reviews.
Robert Pomeroy tracks down a long lost album on the web and catches up with two other bands on Facebook.
Oslo Park (Kanine Records). Review by Bob Pomeroy.
Automatic Writing Machine. Review by Scott Adams.
Invitation (Kill Rock Stars). Review by Bob Pomeroy.
Swallow The Anchor. Review by Carl F Gauze.
Space aliens attempt to invade earth but are distracted by the local music scene.
Hope (Cardboard Empire Records). Review by Carl F Gauze.
Shine on Forever (Visiting Hours). Review by Carl F Gauze.
Lisbon (Bella Union). Review by Jeff Schweers.
The history of teeny, tiny labels that launched some really big bands. Before the out-crowd became the in-crowd.
Chronosynclastic (Velvet Blue Music). Review by Carl F Gauze.
Chateau Revenge! (Cheap Lullaby). Review by jeff schweers.
Saint Bartlett (Secretly Canadian). Review by Carl F Gauze.
Tapestry of Webs (Suicide Squeeze). Review by Carl F Gauze.
My Neighbor/My Creator (Merge Records). Review by Jeff Schweers.
No Hope No Future (Brille Records). Review by Carl F Gauze.
Beast Rest Forth Mouth (Hometapes). Review by Carl F Gauze.
Walking Papers EP (Grand Palace). Review by Eric J. Iannelli.
Leaves in the Gutter (Merge). Review by Laura Pontillo.
Founding member of The Cure Lol Tolhurst takes readers on a very personal tour of the people, places, and events that made goth an enduring movement and vital subculture, in GOTH: A History. Bob Pomeroy reviews.
Small-town Grand Junction, Colorado, comes out in droves to Slamming Bricks 2023, as our beloved queer community event eclipses its beginnings to command its largest audience yet. Liz Weiss reviews the performance, a bittersweet farewell both to and from the Grand Valley’s most mouthy rebel organizer, Caleb Ferganchick.
Carl F. Gauze reviews Dreamers Never Die, the loving documentary on the career of rocker extraordinaire Ronnie James Dio.
The iconic rock and roll magazine from the 1960s is back and just as relevant and snotty as ever.
This week, Christopher Long nearly fights a famed rock star in defense of his 1970s pin-up princess. To prove his point, Chris goes into his own garage and digs out his musty vinyl copy of the self-titled 1972 alt. country classic from Linda Ronstadt.
A former convict returns to London to avenge his former enemies and save his daughter. Carl F. Gauze reviews the Theater West End production of Sweeney Todd.