Girls on Film
Danceteria (NativeSun). Review by Matthew Moyer.
Tag: Japan
The Young Tradition
Northern Drive (Matinee). Review by Aaron Shaul.
It’s Beginning To Look A Lot Like….
At this special time of year, let’s not forget the REAL reason for the season… fabulously gaudy displays of Xmas lights! Heather Lorusso sure didn’t - and even in faraway Tokyo she found enough clever uses of wattage to soften the most humbuggy of hearts. You won’t find these in your neighbor’s yard.
Bathtub Shitter
Dancehall Grind (Super Hit Jam). Review by Matthew Moyer.
The Dirty Three
“If you want to dance, go on and fucking dance!” How could Heather Lorusso resist such an entreaty from Warren Ellis and the Dirty Three?
MU
Out of Breach (Output). Review by Aaron Shaul.
Degenerate Art Ensemble
The Bastress (Tellous). Review by Aaron Shaul.
Anoice
Remmings (Important). Review by Aaron Shaul.
Acid Mothers Temple & The Cosmic Inferno
Iao Chant from the Cosmic Inferno (Ace Fu). Review by Aaron Shaul.
Green Milk From the Planet Orange
City Calls Revolution (Beta-lactam Ring). Review by Aaron Shaul.
Tony Takitani
Master of surrealist literature, Haruki Murakami, gets his first silver screen treatment. Aaron Shaul lets you in on why it’s a gem.
Acid Mothers Temple & Melting Paraiso UFO/Escapade
A Thousand Shades of Grey (Funfudervierzig). Review by Aaron Shaul.
Tetuzi Akiyama
Pre-Existence (Locust). Review by Aaron Shaul.
Guitar Wolf
Rock ‘n’ Roll Etiquette (Narnack). Review by Aaron Shaul.
Bright Future
Director Kiyoshi Kurosawa new film about working class alienation and jellyfish mutation in Tokyo is called Bright Future. Aaron Shaul readily acknowledges it as a winning combination.
My Favorite Songwriters
My Favorite Songwriters (Five One). Review by Aaron Shaul.
Nagisa Ni te
Dream Sounds (Jagjaguwar). Review by Aaron Shaul.
Mono
Walking Cloud & Deep Red Sky, Flag Fluttered and the Sun Behind (Temporary Residence). Review by Aaron Shaul.
Slowly Minute
Tomorrow World’ (Bubblecore). Review by Aaron Shaul.
Bathtub Shitter
Lifetime Shitlist (Shitjam Records). Review by Matthew Moyer.
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