Long-awaited documentary on groundbreaking punk/emo band Jawbreaker.
The Bleached Slang Tour (Beach Slang + Bleached) brings Orlando to its knees and causes hearts, like Jen Cray’s, to swoon.
Predatory Highlights (Don Giovanni Records). Review by Jen Cray.
No Wonder We Prefer the Dark (Paper + Plastick). Review by Jen Cray.
Encores at tiny punk rock shows?! They’re rare, but Jen Cray and a whole bunch of hungry fans dug this one.
The second annual Harvest of Hope Festival raises money to help migrant farm workers by giving music fans three days of music, mud, and mayhem.
Brand New and Thrice play the first of a pair of sold-out Orlando dates.
As part of a pseudo-after-party for Gainesville, Florida’s punk rock weekend (The Fest), Polar Bear Club attempts to make new punk sound classic. Jen Cray is entertained, though not entirely convinced.
The Sum of Our Parts (self released). Review by Jen Cray.
O-Rock 105.9 may have really dropped the ball on this year’s annual No Snow Show by splitting it into two separate shows, but at least they scored Jimmy Eat World and Silverchair to co-headline the second night of the event. Jen Cray was amongst the masses at Orlando’s House of Blues trying to convince themselves that the pair was enough to justify the pricey ticket.
Pessimism & Satire (Fearless). Review by Addam Donnelly.
Menos el Oso (Suicide Squeeze). Review by Aaron Shaul.
Truth is a Menace (No Idea). Review by Daniel Mitchell.
They Make Beer Commercials Like This (Arena Rock). Review by Aaron Shaul.
Magdalene (Limekiln). Review by Daniel Mitchell.
Insobriety & Insubordination (Signal Path Records). Review by Daniel Mitchell.
Lady Melody (Kung Fu). Review by Daniel Mitchell.
emo,post-punk,Audio Karate,Lady Melody,Kung Fu Records,Daniel Mitchell
The Daylight Robbery (Smallman). Review by Stein Haukland.
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During AFI Fest 2023, Lily and Generoso interviewed director Lkhagvadulam Purev-Ochir, whose impressive debut feature, City of Wind, carefully examines the juxtaposition between the identity of place and tradition against the powers of modernity in contemporary Mongolia.