Don’t Break Down: A Film About Jawbreaker
Long-awaited documentary on groundbreaking punk/emo band Jawbreaker.
Long-awaited documentary on groundbreaking punk/emo band Jawbreaker.
The Bleached Slang Tour (Beach Slang + Bleached) brings Orlando to its knees and causes hearts, like Jen Cray’s, to swoon.
Predatory Highlights (Don Giovanni Records). Review by Jen Cray.
No Wonder We Prefer the Dark (Paper + Plastick). Review by Jen Cray.
Encores at tiny punk rock shows?! They’re rare, but Jen Cray and a whole bunch of hungry fans dug this one.
The second annual Harvest of Hope Festival raises money to help migrant farm workers by giving music fans three days of music, mud, and mayhem.
Brand New and Thrice play the first of a pair of sold-out Orlando dates.
As part of a pseudo-after-party for Gainesville, Florida’s punk rock weekend (The Fest), Polar Bear Club attempts to make new punk sound classic. Jen Cray is entertained, though not entirely convinced.
The Sum of Our Parts (self released). Review by Jen Cray.
O-Rock 105.9 may have really dropped the ball on this year’s annual No Snow Show by splitting it into two separate shows, but at least they scored Jimmy Eat World and Silverchair to co-headline the second night of the event. Jen Cray was amongst the masses at Orlando’s House of Blues trying to convince themselves that the pair was enough to justify the pricey ticket.
Pessimism & Satire (Fearless). Review by Addam Donnelly.
Menos el Oso (Suicide Squeeze). Review by Aaron Shaul.
Truth is a Menace (No Idea). Review by Daniel Mitchell.
They Make Beer Commercials Like This (Arena Rock). Review by Aaron Shaul.
Magdalene (Limekiln). Review by Daniel Mitchell.
Insobriety & Insubordination (Signal Path Records). Review by Daniel Mitchell.
Lady Melody (Kung Fu). Review by Daniel Mitchell.
emo,post-punk,Audio Karate,Lady Melody,Kung Fu Records,Daniel Mitchell
The Daylight Robbery (Smallman). Review by Stein Haukland.
For Lily and Generoso, 2023 was a fantastic year at the cinema! They select and review their ten favorite films, six supplemental features, and one extraordinary repertory release seen at microcinemas, archives, and festivals.
The hidden gem of the French New Wave, Le Combat Dans L’île gets a lovely Blu-ray from Radiance Films.
This fall, Ani DiFranco brought new Righteous Babe labelmate Kristen Ford to Iowa City, where Jeremy Glazier enjoyed an incredible evening of artistry.
This week Christopher Long grabs a bag of bargain vinyl from a flea market in Mount Dora, Florida — including You’re Never Alone with a Schizophrenic, the classic 1979 LP from Ian Hunter.
Bob Pomeroy gets into four Radio Rarities from producer Zev Feldman for Record Store Day with great jazz recordings from Wes Montgomery, Les McCann, Cal Tjader, and Ahmad Jamal.
Bob Pomeroy digs into Un “Sung Stories” (1986, Liberation Hall), Blasters’ frontman Phil Alvin’s American Roots collaboration with Sun Ra and his Arkestra, the Dirty Dozen Brass Band, and New Orleans saxman Lee Allen.
Roi J. Tamkin reviews A Darker Shade of Noir, fifteen new stories from women writers completely familiar with the horrors of owning a body in a patriarchal society, edited by Joyce Carol Oates.
Mandatory: The Best of The Blasters (Liberation Hall). Review by Bob Pomeroy.
Feeling funky this week, Christopher Long gets his groove on while discovering a well-cared-for used vinyl copy of one of his all-time R&B faves: Ice Cream Castle, the classic 1984 LP from The Time, for just a couple of bucks.
During AFI Fest 2023, Lily and Generoso interviewed director Lkhagvadulam Purev-Ochir, whose impressive debut feature, City of Wind, carefully examines the juxtaposition between the identity of place and tradition against the powers of modernity in contemporary Mongolia.
Juliana Hatfield Sings ELO (American Laundromat Records). Review by Laura Pontillo.