The Oaks
Our Fathers & the Things They Left Behind (Rising Oak). Review by Jen Cray.
Our Fathers & the Things They Left Behind (Rising Oak). Review by Jen Cray.
Blood Sweat & Towers (TVT). Review by Jen Cray.
Monument to the Masses (Virgin). Review by Jen Cray.
Up Your Ass Tray (Go Kart). Review by Jen Cray.
Teenage Graffiti (Suretone/Geffen). Review by Jen Cray.
The Crusade (Roadrunner). Review by Jen Cray.
Yes Yes To You (Absolutely Kosher). Review by Jen Cray.
I Saw The Devil Last Night And Now The Sun Shines Bright (Victory). Review by Jen Cray.
High School (City Canyon). Review by Jen Cray.
Street Drum Corps (Warcon). Review by Jen Cray.
Shoot The Moon: The Essential Collection (Antagonist). Review by Jen Cray.
Saw The Light (Elicit/Majestic). Review by Jen Cray.
The Loon (XL). Review by Jen Cray.
Never Trust Anything That Bleeds (SideOneDummy). Review by Jen Cray.
Under Attack (SideOneDummy). Review by Jen Cray.
(Triple Crown). Review by Jen Cray.
Takers and Leavers EP (Park The Van). Review by Jen Cray.
You Know Who You Are (Mono Vs. Stereo). Review by Jen Cray.
Reprieve (Righteous Babe). Review by Jen Cray.
Highway Companion (American). Review by Jen Cray.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.