I am generally skeptical and disrespectful of band names with special capitalization, but IDLES look and sound like they mean business.
Listening to Fantastic Negrito is like lifting the lid on a simmering pot to a wonderfully exotic yet very familiar blend of spices.
Evolution (Blue Note Records). Review by James Mann.
Heels Over Head ( Amulet Records). Review by James Mann.
Tauk whips up a savory auditory gumbo and serves it up at a hip lounge/bowling alley where May Terry dishes herself a hefty helping.
Silhouette (Skeemin’ Productions). Review by Carl F Gauze.
Thanks to a Dark Night of freelance unemployment that brought her Weezer, Gail Worley brings Ink 19 an interview with Pat Wilson , who totally rocks.
The Recline (Telarc). Review by Bill Campbell.
Outta Here (Velour). Review by Stein Haukland.
Trio Sud (Dreyfus Jazz). Review by Bill Campbell.
Überjam (Verve). Review by James Mann.
A Go Go (Verve). Review by Gregory Schaefer
Recently on Ink 19...
Director Laura Citarella, of the famed filmmaking collective El Pampero Cine, has created with her newest feature Trenque Lauquen a provocative transformation of her protagonist Laura (Laura Parades), whom Citarella first introduced in her 2011 film Ostende. Lily and Generoso enjoyed an in-depth conversation with Citarella about Trenque Lauquen when it screened at AFI Fest 2022.
Back in 2018, Lily and Generoso selected Adirley Queirós’s Once There Was Brasilia as a top ten film. That feature’s cinematographer, Joana Pimenta, has now co-directed with Queirós one of the most expansive political films we’ve seen this year, Dry Ground Burning. Lily and Generoso interviewed Pimenta at AFI Fest earlier this month.