Mixtape 144 :: Model Village
I am generally skeptical and disrespectful of band names with special capitalization, but IDLES look and sound like they mean business.
I am generally skeptical and disrespectful of band names with special capitalization, but IDLES look and sound like they mean business.
Listening to Fantastic Negrito is like lifting the lid on a simmering pot to a wonderfully exotic yet very familiar blend of spices.
Evolution (Blue Note Records). Review by James Mann.
Heels Over Head ( Amulet Records). Review by James Mann.
Tauk whips up a savory auditory gumbo and serves it up at a hip lounge/bowling alley where May Terry dishes herself a hefty helping.
Silhouette (Skeemin’ Productions). Review by Carl F Gauze.
Thanks to a Dark Night of freelance unemployment that brought her Weezer, Gail Worley brings Ink 19 an interview with Pat Wilson , who totally rocks.
The Recline (Telarc). Review by Bill Campbell.
Outta Here (Velour). Review by Stein Haukland.
Trio Sud (Dreyfus Jazz). Review by Bill Campbell.
Überjam (Verve). Review by James Mann.
A Go Go (Verve). Review by Gregory Schaefer
Over There: Live at the Venue, London - The Complete Concert (Liberation Hall). Review by Bob Pomeroy.
Another gem in Marco Bellocchio’s oeuvre, journalism thriller Slap the Monster on Page One is as relevant today as it was in 1972.
Before there was Leather Tuscadero, Suzi Quatro was in two pioneering, all-woman rock bands in her hometown of Detroit, Michigan. This is a Quick Look at those bands: The Pleasure Seekers and Cradle.
Lily and Generoso review director Hernán Rosselli’s second hybrid-fiction crime film that artfully explores our perceived notions of family.
Lights On A Satellite: Live At The Left Bank (Resonance Records). Review by Bob Pomeroy.
Don’t let the stats fool you. Zyzzyx Road may have been the lowest grossing movie in history, but is it worth checking out? Phil Bailey explores the new 4K UHD from Dark Arts Entertainment.
In France: Live at the 1977 Nancy Jazz Pulsations Festival ( Deep Digs). Review by Bob Pomeroy.
The first film based on Junji Ito’s manga, Tomie, makes its US Blu-ray debut from Arrow Video.