Burn the Louvre
Silhouettes. Review by Bob Pomeroy.
Silhouettes. Review by Bob Pomeroy.
The first wave of UK punk crested and shrank back, but the Mekons are still thrashing and foaming.
As you may suspect, Peter Bjorn and John hail from Sweden, and as you may expect, they do Anglophonic indie pop better than the Anglophones.
Literally dancing with bells on, legendary songwriter Jonathan Richman delighted Orlando fans with an acoustic show that felt more like a poetry reading than a typical night at The Social.
Matthew Moyer is glad that Holly George-Warren and the other compilers of this coffeetable-riffic collection of punk photos fetishize image as much as he does.
Boo Hoo (Projekt). Review by Ian Koss.
Action Packed: The Best of Jonathan Richman (Rounder). Review by Matt Cibula.
Words of Wisdom and Hope (Alternative Tentacles). Review by Matt Cibula.
Her Mystery Not of High Heels and Eye Shadow (Vapor). Review by Hal Horowitz.
In the Presence of Greatness (Action Musik). Review by Sean Slone.
Charles DJ Deppner takes a look at a new book of artwork by DEVO’s Mark Mothersbaugh, and discovers the book is actually looking back at him.
Kid Congo & The Pink Monkey Birds’ “Wicked World” video features Alice Bag, previews That Delicious Vice, out April 19 on In The Red Records.
Despite serving up ample slices of signature snark, FOX News golden boy Jesse Watters, for the most part, just listens — driving the narrative of his latest book, Get It Together, through the stories of others.
Brooklyn rapper Max Gertler finds himself a bit ground up on “Put My Heart in a Jay,” his latest single.
The dissolution of a wealthy Russian family confuses everyone involved.