Tomorrow Never Comes (Epitaph). Review by Steven Cruse.
Games of Power (La Vida Es Un Mus Discos). Review by Steven Cruse.
Singer and guitarist Amythyst Kiah makes new fans at the intimate Jaeb Theater in Tampa. Review by Bob Pomeroy.
It’s a perfect time to bring Sound Salvation to a wider audience via the Internet, albeit in a different form.
QuÃ¢ntico.(Discmidia Music) Review by Stacey Zering.
Human Impact (Ipecac Recordings). Review by Scott Adams.
Complete Studio Recordings, Inmates in Images (Dais Records). Review by Scott Adams.
Thursday may have topped the bill, but it was opening band Wax Idols that had Jen Cray mesmerized at Orlando’s House of Blues.
Collision with Joy Division (Lolipop Records). Review by Carl F Gauze.
Fracture. Repair. Repeat. (Metropolis). Review by Carl F Gauze.
Playing Favorites (Omnivore Recordings). Review by Michelle Wilson.
Outside (Independent). Review by Michelle Wilson.
The Post Romantic Empire Album (Our Sweetest Songs). Review by Carl F Gazue.
LP (Susstones). Review by Carl F Gauze.
The Horror (Sacred Bones). Review by Matthew Moyer.
Skying (XL). Review by Matthew Moyer.
Public Stain (Jagjaguwar). Review by Matthew Moyer.
Memories of an Echo. Review by Robert Sutton.
Trapeze Project (Brass Tonic Records). Review by Carl F Gauze.
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