Kasey Chambers
Little Bird (Sugar Hill). Review by Sean Slone.
Little Bird (Sugar Hill). Review by Sean Slone.
Tinderbox (A Major Label). Review by David Whited.
What It Sounds Like (Vol. 1) (Dualtone). Review by James Mann.
Roll (Messenger). Review by Sean Slone.
Listening to Kasey Chambers’ debut album, The Captain, it’s not hard to believe that she grew up in the South. The kicker, though, is that her incredibly authentic country music originates from the South of Australia! Sean Slone talks with the gifted young artist about the roots of her music and life in the outback.
While she has been around for a good while as a part of her father Bill Chamb…
On one of the songs on her solo debut, Kasey Chambers sings about living that…
Ready for a cold one this season? We thought so! Enjoy, as Christopher Long reflects on his favorite VINYL releases of 2023 — an intoxicating (and satisfying) “six-pack,” to be sure.
Concert addict Jeremy Glazier talked with A.J. Croce near the beginning of his year-long Croce Plays Croce tour about embracing his father’s music and his own while honoring both their familial bond and shared influences.
For Lily and Generoso, 2023 was a fantastic year at the cinema! They select and review their ten favorite films, six supplemental features, and one extraordinary repertory release seen at microcinemas, archives, and festivals.
The hidden gem of the French New Wave, Le Combat Dans L’île gets a lovely Blu-ray from Radiance Films.
This fall, Ani DiFranco brought new Righteous Babe labelmate Kristen Ford to Iowa City, where Jeremy Glazier enjoyed an incredible evening of artistry.
This week Christopher Long grabs a bag of bargain vinyl from a flea market in Mount Dora, Florida — including You’re Never Alone with a Schizophrenic, the classic 1979 LP from Ian Hunter.
Bob Pomeroy gets into four Radio Rarities from producer Zev Feldman for Record Store Day with great jazz recordings from Wes Montgomery, Les McCann, Cal Tjader, and Ahmad Jamal.
Bob Pomeroy digs into Un “Sung Stories” (1986, Liberation Hall), Blasters’ frontman Phil Alvin’s American Roots collaboration with Sun Ra and his Arkestra, the Dirty Dozen Brass Band, and New Orleans saxman Lee Allen.
Roi J. Tamkin reviews A Darker Shade of Noir, fifteen new stories from women writers completely familiar with the horrors of owning a body in a patriarchal society, edited by Joyce Carol Oates.
Mandatory: The Best of The Blasters (Liberation Hall). Review by Bob Pomeroy.