• Gemma Ray

    Gemma Ray

    Gemma Ray slams one clever cultural retro-reference into another, all the while wielding her harmonies alongside the tones from her Gretsch — deliciously awry. At least that’s how May Terry hears it.

  • Zola Jesus

    Zola Jesus

    Zola Jesus creates a surreal and magical concert experience, Jen Cray learned at the songstress’ first ever Orlando date.

  • Zola Jesus

    Zola Jesus

    Conantus (Sacred Bones). Review by Jen Cray.

  • Diva

    Diva

    The Glitter End (Critical Heights ). Review by Matthew Moyer.

  • Lia Ices

    Lia Ices

    Grown Unknown (Jagjaguwar ). Review by Matthew Moyer.

  • Das Racist

    Das Racist

    Check Yo Ponytail Mixtape. Review by Carl F Gauze.

  • Filthybird

    Filthybird

    Songs for Other People (Holidays for Quince). Review by James Mann.

  • Ôlöf Arnalds

    Ôlöf Arnalds

    Innundir Skinni (One Little Indian). Review by Carl F Gauze.

  • Tender Forever

    Tender Forever

    No Snare (K Records). Review by Matthew Moyer.

  • White Hinterland

    White Hinterland

    Kairos (Dead Oceans). Review by Matthew Moyer.

  • Blacklist

    Blacklist

    Too young to be fully cognizant of the more embarrassing excesses of Gothic music over the past twenty years, the young Turks of NYC’s own Blacklist are, perhaps unwittingly, the best hope of redeeming Goth-metal. Fresh from a European tour complete with horned hotel antics, Blacklist frontman and provocateur Josh Strawn told Ink 19 all about how he learned to stop worrying and love Motorhead and Scott Walker equally.

  • Lightning Dust

    Lightning Dust

    Infinite Light (JagJaguwar). Review by Matthew Moyer.

  • Polly Scattergood

    Polly Scattergood

    Polly Scattergood (Mute). Review by Carl F Gauze.

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