King Crimson
Ladies of the Road: Live 1971-1972 (Discipline Global Mobile). Review by Matt Cibula.
Ladies of the Road: Live 1971-1972 (Discipline Global Mobile). Review by Matt Cibula.
Steal This Album! (American / Columbia). Review by Stein Haukland.
Maxmillion (Retribute). Review by Daniel Mitchell.
In Absentia (Lava / Atlantic). Review by Chuck Johnson.
Live at the Pongmasters Ball (Snapper Music). Review by James Mann.
Even if only his status as one-quarter of Led Zepplin is taken into account, few could deny that John Paul Jones deserves to be revered. But more than 20 years after the end of Zep, Jones remains a vital and diverse artist. Gail Worley talks to a true musical legend.
Rephormula (Earache). Review by Daniel Mitchell.
Living Room Music and Not Gonna Get It (Arts). Review by Matt Cibula.
Vrooom Vrooom (Discipline Global Mobile). Review by Bryan Tilford.
Live Encounter (First World). Review by Matt Cibula.
The Deception of the Thrush: A Beginners’ Guide to ProjeKts (Discipline Global Mobile). Review by Jeff Patch
Absent Lovers (Discipline Global Mobile Recordings). Review by brYan Tilford
The Nightwatch (Discipline). Review by brYan Tilford
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.