- Event Reviews
- May 20, 2022
Tommy Emmanuel and opener Gareth Pearson captivated Orlando with a stunning acoustic performance. Michelle Wilson has the full recap.
Milky Ways. (!K7 Records). Review by Carl F Gauze.
Bolshevik Disco (Manimal Vinyl). Review by Matthew Moyer.
Crazy (Nervous Records). Review by Carl F Gauze.
That That! (Pressing Records). Review by Matthew Moyer.
Teufelswerk (International Deejay Gigolo). Review by Kiran Aditham.
Apocalyptic sci-fi, Busby Berkeley, and the proto-punk of the Screamers collide head-on in this reissue of Rene Daalder’s lo-fi, hilarious, and terribly sad musical. Is that a twelve-year old Beck making a cameo?
Serbian Film Noir gets a shot of hope in the form of a hot, red Renault 4.
Destination Space (Oglio). Review by Carl F Gauze.
We Started Nothing (Columbia Records). Review by Andrew Coulon.
Beyond Even (1992-2006) (Opal and DGM Live). Review by Carl F Gauze.
Stop Heartbeat (Common Wall Media). Review by Matthew Moyer.
The Air Salesman (International Hits). Review by Jen Cray.
Blinded by science, indeed. Out of the blue, synth-pop pioneer Thomas Dolby is back – and sounding as if he never left. The cell phone technology mogul has taken a break from his day job, dazzling his long-lost fans with a brief spring tour. Steve Stav braved everything but inclement weather in order to file his report on Dolby’s one-man show, which proved to be one of the most unusual concert experiences of his life.
Satan’s Circus (Drone/Universal). Review by Kiran Aditham.
Second Nature (Ipecac Records). Review by Matthew Moyer.
DJ Kicks (!K7 Records). Review by Matthew Moyer.
Mitch Easter, Let’s Active, the dBs, Rob Levy, interview
They don’t come more seminal than Mitch Easter, who has influenced music from both sides of the mixing board, with his band Let’s Active and as the producer for acts like REM, Pavement and Marshall Crenshaw. Rob Levy grabs a few moments with the busy man.
Inferno (Metropolis). Review by Matthew Moyer.