Last of the Juanitas
In the Dirt (Wantage USA). Review by Aaron Shaul.
In the Dirt (Wantage USA). Review by Aaron Shaul.
The Woods (Sub Pop). Review by Aaron Shaul.
Baba’s Mountain (Birdman). Review by Aaron Shaul.
De-loused In The Comatorium (Universal). Review by Nick Plante.
Finally the Punk Rockers Are Taking Acid (Restless). Review by Matt Cibula.
Gail Worley’s got the beat of The Go-Go’s – drummer Gina Schock, that is – in this extensive interview!
Even if only his status as one-quarter of Led Zepplin is taken into account, few could deny that John Paul Jones deserves to be revered. But more than 20 years after the end of Zep, Jones remains a vital and diverse artist. Gail Worley talks to a true musical legend.
Cherry (Knitting Factory / Velour). Review by Matt Cibula.
In an unconventional interview, Gail Worley gets an in-depth, song-by-song look at the influences that inspire Buckcherry guitarist Keith Nelson. His answers just may surprise you!
Clouds in the Head (The Music Cartel/Rise Above). Review by Nathan T. Birk.
This week, cuddly curmudgeon Christopher Long finds himself feeling even older as he hobbles through a Florida flea market in pursuit of vinyl copies of the four infamous KISS solo albums — just in time to commemorate the set’s milestone 45th anniversary.
Starting with small-time jobs, two gangsters take over all the crime in Marseilles in this well-paced and entertaining French film. Carl F. Gauze reviews the freshly released Arrow Video Blu-ray edition of Borsalino (1970).
Aaron Tanner delivers 400 pages of visual delights from the ever-enigmatic band, The Residents, in The Residents Visual History Book: A Sight for Sore Eyes, Vol. 2.
Two teenage boys build a sexy computer girlfriend with an 8-bit computer… you know the story. Carl F. Gauze reviews Weird Science (1985), in a new 4K UHD Blu-ray release from Arrow Films.
Cauldron Films’ new UHD/Blu-ray release of Lucio Fulci’s City of the Living Dead (1980) preserves one of the best Italian horror films, according to Phil Bailey.
Marleen Gorris’s first theatrical feature is a potent feminist look at the easily disposable lives of sex workers in Amsterdam. Phil Bailey reviews Broken Mirrors.
Late bloomer Tony Bowman spins a tale of past decades with a Jimmy Buffett soundtrack.