Cult of Youth
The question on Matthew Moyer’s mind, when checking out the trimmed-down version of Cult of Youth, was this: will they still be able to pull off the rich hues and near-psychedelic textures of this album? The answer: a resounding YES!
The question on Matthew Moyer’s mind, when checking out the trimmed-down version of Cult of Youth, was this: will they still be able to pull off the rich hues and near-psychedelic textures of this album? The answer: a resounding YES!
Campfire Songs (Paw Tracks). Review by Matthew Moyer.
Wouldn’t you like to view a gallery of coroner’s photos, featuring the artistically dispatched Amanda Palmer? Matthew Moyer knows you do.
Matthew Moyer swoons over the voices inside the heads of The Legendary Pink Dots.
Whispering Wall (ROIR). Review by Matthew Moyer.
All The King’s Men (ROIR). Review by Matthew Moyer.
Martin Rev (ROIR Records). Review by Matthew Moyer.
88 Films gives new life to The Lady Assassin, Tony Lou Chun-Ku’s delightful mix of kung fu, Wuxia swordplay, and palace intrigue.
Alfred Sole’s Alice, Sweet Alice is a very Generation X movie, mirroring our 1970s lives in important and disturbing ways. Phil Bailey reviews the new 4K UHD version.
In 1977, Here at Last… Bee Gees …Live cemented the Bee Gees’ budding reputation as world-class master songsmiths. 46 years later, longtime Ink 19 writer Christopher Long nabs a well-loved $6 vinyl copy at a Florida flea market — replacing his long-loved and lost-to-the-ages original record.
All-American music legend Bonnie Raitt played the Riverwind Casino Showplace Theatre in Norman, Oklahoma, recently while on her Live 2025 international concert tour. Longtime Ink 19 contributor Christopher Long was there and got the goods.
“Little Dreaming” (Darkroom / Polydor / Capitol). Review by Danielle Holian.
Everything Changes, Everything Stays the Same (Tapete Records). Review by Peter Lindblad.
Stories I Only Tell My Friends (Blackbird Records). Review by Bob Pomeroy.