Sleater-Kinney
Liza Hearon talks to Sleater-Kinney’s Carrie Brownstein about women in rock, Eddie Vedder and watching 13-year-olds make out in front of the stage.
Liza Hearon talks to Sleater-Kinney’s Carrie Brownstein about women in rock, Eddie Vedder and watching 13-year-olds make out in front of the stage.
Scandinavian Leather (Epitaph). Review by Liza Hearon.
Under the Tray (Vagrant). Review by Liza Hearon.
After two million songs, 7500 shows, and more than a few cold ones, the Energizer bunny of rock and roll keeps on going. Liza Hearon talks to Robert Pollard of Guided By Voices.
Hurry Up and Wait (Aware). Review by Liza Hearon.
Midtown, with Poly Esther, The Reunion Show, and Recover at The Factory, Ft. Lauderdale, FL on October 13, 2002. Concert review by Liza Hearon.
This is Unity Music (Hopeless). Review by Liza Hearon.
Gusto (Epitaph). Review by Liza Hearon.
Weezer, with Dashboard Confessional, Sparta, The Special Goodness, Home Town Hero, AM Radio, and Rooney at the Hi-Fi Buys Amphitheatre in Atlanta, GA on July 29, 2002. Concert review by Liza Hearon.
Liza Hearon talks to the man with the plan – The Dismemberment Plan, that is – in this provocative conversation with Travis Morrison.
The Motion (Law Of Intertia). Review by Liza Hearon.
Less Hits, More Tits (Hopeless). Review by Liza Hearon.
GWAR, with God Forbid and Goatwhore at The Orbit in Boynton Beach, FL on January 23, 2002. Concert review and photos by Liza Hearon.
Apathy And Exhaustion (Fat). Review by Liza Hearon.
Melancholy Tunes (Burning Heart/Epitaph). Review by Liza Hearon.
Melancholy Tunes (Burning Heart/Epitaph). Review by Liza Hearon.
40 Oz. of Hardcore (Triple Crown). Review by Liza Hearon.
An Invitation to Tragedy (Fearless). Review by Liza Hearon.
Die Hards (Side One Dummy). Review by Liza Hearon.
Atomic (RCA). Review by Liza Hearon.
Blood, guts, and kicking butt in France — it’s the age-old story of Shakespeare. Carl F. Gauze once again enjoys the salacious violence and complicated plot points of Henry V, in the moody dark of Orlando Shakes.
Infidelity, agoraphobia and Ice Capades. Carl F. Gauze attempts to find an answer to the question “How Florida can you get?” in The Great American Trailer Park Musical at Theater West End.
Jeremy Glazier catches Ian Noe at the Rust Belt, where they discuss putting Between the Country together, some of the influences that affect Noe’s songwriting, and his dislike of EPs.
Christopher Long scores an absolutely ravaged vinyl copy of the 1977 self-titled debut from Karla Bonoff at a Florida flea market — for FREE!
Carl F. Gauze reviews this comprehensive look at the early works of Muppets creator Jim Henson by Craig Shemin.
Robert Pomeroy tracks down a long lost album on the web and catches up with two other bands on Facebook.
On today’s New Music Now, Judy Craddock talks to our musical guest, Nora O’Connor, about her solo album, My Heart, and the captivating new music she’s listening to right now. Tune in for great music, and more ’90s references than you can shake a scrunchie at.
Writer Kazuo Kasahara and director Kôsaku Yamashita transcend genre conventions to create the memorable film Big Time Gambling Boss. Phil Bailey reviews.
Frank Bello’s new memoir Fathers, Brothers, and Sons: Surviving Anguish, Abandonment, and Anthrax takes us from a New York childhood, to Anthrax stadium tours, to fatherhood with the charming informality of a conversation with an old friend. Then I’m Gone, Bello’s first solo EP, provides accompaniment. Joe Frietze reviews.
Savvy shopper Christopher Long scores a dodgy-looking copy of the Crosby, Stills, Nash & Young classic, Déjà Vu, on fairly decent-sounding vinyl — for just 50¢.
Carl F. Gauze caught a certain trio of android warrior sisters at the Enzian’s Robotica Destructiva premiere.
Brevard County showed their support for music in the community as nearly five thousand people attended the 2022 Space Coast Music Festival.