- Music Reviews
- November 20, 2019
The Ninth Trip (Riding Easy). Review by Carl F. Gauze.
Take a trip back to Seattle’s musical heydey with Michael Lavine, who brings us all manner of visual treasure with Grunge.
Out Into The Snow (Team Love Records). Review by Carl F Gauze.
Despite a discography that would make you expect a persona along the lines of a reincarnated Captain Beefheart, in conversation, Arrington de Dionyso is polite and eager to communicate his artistic mission in as understated a manner as possible. Ink 19 caught up with the artist on a rare day off, somewhere in Texas, to speak about his new album Malaikat Dan Singa, performance, and making music to conjure spirits.
Matthew Moyer finds himself in the same concert hall as Leonard Cohen, holy clown, dour prophet, borscht belt crooner, and true legend — in Tampa, Florida, no less.
Kicking off Ink 19‘s new series, Labels We Love, S D Green talks to ZE Records co-founder Michel Esteban about defining a sound and establishing a label during New York’s 1970s creative zeitgeist, and the resurrection of the label that was once home to Lydia Lunch, Suicide, and Kid Creole & the Coconuts.
Bolshevik Disco (Manimal Vinyl). Review by Matthew Moyer.
Even with only two original members remaining, New York Dolls still dazzle, as Jen Cray discovered at a recent Orlando show.
Television can be good for you. Especially when it’s Glenn O’Brien’s NYC art-damaged public access freakshow. This is TV Party. Pay attention.
Rob Levy braves the danger and mayhem of one of the UK’s most legendary punk bands to interview Captain Sensible, guitarist and longtime member of The Damned, about a variety of topics including the new album So Who’s Paranoid?
Berlin – Live At St. Ann’s Warehouse (Matador Records). Review by Carl F Gauze.
Filling up The Plaza Theatre with their heartbreaking sounds, Cowboy Junkies treat Orlando — and Jen Cray — to an evening of tear-jerking beauty.
Pale Moon Gang (Fast Loose). Review by Jen Cray.
Cheekbone Hollows (Pop. 1/2 Life) (Gypsy Eyes Records). Review by Matthew Moyer.
Big Science (Nonesuch Records). Review by Carl F Gauze.
Surrealistic Picnic (FDH Records). Review by James Mann.
Straight from a music school in Brighton to the top of the charts in England, The Kooks are the United Kingdom’s answer to The Strokes. Jen Cray spoke with their charming frontman Luke Pritchard about making it in the States.
Stealing Kisses. Review by Carl F Gauze.
Long Drive To Iceland (self-released). Review by Carl F Gauze.
Head Over Heels (EJH Productions). Review by Kyrby Raine.
Trampin’ (Columbia Records). Review by Al Pergande.