Coil
Musick To Play In The Dark (Dais Records). Review by Matthew Moyer.
Tag: Matthew Moyer
Vex
Sanctuary: The Complete Discography (Sacred Bones). Review by Matthew Moyer.
Vex
Sanctuary: The Complete Discography (Sacred Bones). Review by Matthew Moyer.
Xiu Xiu
Nina (Graveface). Review by Matthew Moyer
45 Grave: June 2013
Matthew Moyer unveils the secrets of this month’s 45 Grave.
The Switchblade Kid
The Switchblade Kid (Miss Molly Music). Review by Matthew Moyer.
Merchandise
Merchandise makes Gainesville, and Matthew Moyer, swoon like teenagers at an early ’90s Morrissey concert… and that’s a very, very good thing.
S.O.S.
Astral Planes Drifter (Rainbow Pyramid). Review by Matthew Moyer.
koasasa
Drawing Down The Moon cs (Housecraft). Review by Matthew Moyer.
Ascetic/Virgin Flowers
Split Cassette (Rainbow Pyramid). Review by Matthew Moyer.
Loop
Heaven’s End/ Fade Out/ The World In Your Eyes/ A Gilded Eternity (Reactor/Revolver). Review by Matthew Moyer.
Loop
Heaven's End/ Fade Out/ The World In Your Eyes/ A Gilded Eternity (Reactor/Revolver). Review by Matthew Moyer.
Petunia-Liebling MacPumpkin
Fish Drive Edsels. Review by Matthew Moyer.
Tracey Thorn
Tinsel and Lights (Merge Records). Review by Matthew Moyer.
Cult of Youth
The question on Matthew Moyer’s mind, when checking out the trimmed-down version of Cult of Youth, was this: will they still be able to pull off the rich hues and near-psychedelic textures of this album? The answer: a resounding YES!
45 Grave: November 2012
45 Grave is a monthly column dedicated to a physical music medium that is way too fun to go quietly into digital limbo, no matter how long its author suffers from a turkey coma.
Chet Baker
The Best of Chet Baker (Riverside). Review by Matthew Moyer.
Pop. 1280
The Horror (Sacred Bones). Review by Matthew Moyer.
Faun Fables
Flutes, leather vests on bare skin, werewolf songs, and kids on stage. It’s not your average recipe for a rock show, but then, as Matthew Moyer points out, Faun Fables is not a rock band.
Rosenkopf
Rosenkopf (Wierd). Review by Matthew Moyer.
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