Girls on Film
Danceteria (NativeSun). Review by Matthew Moyer.
Danceteria (NativeSun). Review by Matthew Moyer.
Remember That I Love You (K). Review by Matthew Moyer.
The Big Green Issue is out, and from Matthew Moyer’s description, if you don’t have this you should be a bit verdant with envy for those who do.
At first glance, maybe it seems a little shocking that Clinton Heylin has temporarily abandoned the rock world to write about filmmaker Orson Welles, but after reading this book, Matthew Moyer wonders what took him so bloody long.
Hearts and Unicorns (Kickball). Review by Matthew Moyer.
Dancehall Grind (Super Hit Jam). Review by Matthew Moyer.
Black Sabbath. The name alone conjures up images of protean Metal, the stuff that called the demons forth and made the parents sweat. Matthew Moyer tells us why Doom Let Loose is the definitive guide to the definitive metal band.
It’s just a comic, right? Wrong. Matthew Moyer examines this anthology from the celebrated fanzine Alter Ego, full of comics passion, knowledge and treasures.
It’s easy to appreciate a comic artist’s craft. But what goes on behind the scenes? How does a Great One get to be… well, Great? Matthew Moyer gets the scoop on Walter Simonson in the latest installment of TwoMorrow’s Modern Masters series.
Blood Inside (The End). Review by Matthew Moyer.
Everyone has lots to say about John Byrne. Matthew Moyer examines this collection of interviews and art that let the man and his work speak for himself.
After trolling through Comic Book Nerd’s first issue, Matthew Moyer has only one thing to say: “Worst Comic Book Parody ever”. Or was that best?
Sour Times MCD (Seasons of Mist). Review by Matthew Moyer.
Big dada theater in infrared! Subtext galore, supplicating demons, folding chairs. Giant eyeballs presented as temptation. It could only be The Residents, and Matthew Moyer is transfixed.
Surrogate Emotions of the Silver Screen (New Granada). Review by Matthew Moyer.
The Monkees’ Uncle (AntAcidAudio). Review by Matthew Moyer.
In Disgust We Trust (Earache Records). Review by Matthew Moyer.
Occlused in Ottusity (Dark Reign). Review by Matthew Moyer.
Both rose-eyed fan and band insider, the Flaming Lips’ official biographer takes Matthew Moyer by the hand backstage into their fabulous rock n’ pop theater. Find out why Jim DeRogatis’s bio on an indie success story (that hasn’t made us cringe yet) makes this volume worthy of top spot on your reading pile.
Futurists Against The Ocean (Mimicry Records). Review by Matthew Moyer.
Midge Ure brings his Band In A Box tour to historic Mount Dora, Florida, where Michelle Wilson revels in ’80s nostalgia.
Lily and Generoso review director Kazik Radwanski’s poignant comedic drama Matt and Mara, which explores the emotionally nuanced relationship between two longtime friends.
Sejin Suzuki’s unorthodox Yakuza film, Tattooed Life (1965) makes its Blu-ray debut from Radiance Films.
Hang out with some cool musicians as they make a record in a mountain cabin in Appalachia.
A classic children’s show is set to a Hip Hop beat. Carl F. Gauze reviews P.Nokio: A Hip-Hop Musical at Orlando Family Stage.
Cascades, Cascading, Cascadingly (Missing Piece Group). Review by Judy Craddock.
Uncollected Noise New York ‘88-‘90 (Silver Current Records / 20-20-20). Review by Steven Cruse.
With her latest book, I Used to Like You Until…, staunch (small l) libertarian and free speech poster girl, Kat Timpf proves that she just might be the much-needed cooling agent required to extinguish today’s super-charged sociopolitical dumpster fire.