The Ugly Club
May Terry relives a bit of teen pop nostalgia with The Ugly Club in NYC, where the ladies swoon over girl-candy frontman Ryan Egan.
May Terry relives a bit of teen pop nostalgia with The Ugly Club in NYC, where the ladies swoon over girl-candy frontman Ryan Egan.
May Terry takes root in celebrating old-time music with songcatchers Carolina Chocolate Drops.
May Terry heads to Prospect Park for a musical speed date with Wild Flag that leaves the taste of six degrees of Riot Grrl in her mouth.
The Dirty Heads were mongo pushin’ the crowds at the Stone Pony Summerstage as May Terry soaked in the sun and fun.
May Terry drinks a glass of musical moonshine served up by roots rock band The Hollows, way up North at Brooklyn Bowl.
Lily and The Parlour Tricks sizzle up a hot summer night of swinging music in New York City, where May Terry time-warped her way back to the ’20s.
Good things come to May Terry, who waited through a half-dozen bands before Grass Widow closed out the Panache Northside Showcase in NYC.
May Terry gets lost in the neo-psychedelic haze when the Dandy Warhols play live at Irving Plaza.
Hilary Hahn and Hauschka, a blend of classical violin and a tchotchke-stuffed piano, offers May Terry a night of avant-garde splendor.
Gemma Ray slams one clever cultural retro-reference into another, all the while wielding her harmonies alongside the tones from her Gretsch – deliciously awry. At least that’s how May Terry hears it.
Tauk whips up a savory auditory gumbo and serves it up at a hip lounge/bowling alley where May Terry dishes herself a hefty helping.
A little musical mojito over classic songs goes a long way, and that’s the secret ingredient for Rodrigo y Gabriela’s success in wooing the heart of May Terry.
Damnesia (Epitaph Records). Review by May Terry.
Various Artists (StormVox). Review by May Terry.
Sage (Neurot Recordings). Review by May Terry.
Sharon Van Etten & The Attachment Theory (Jagjaguwar). Review by Peter Lindblad.
This week, Christopher Long goes “gaga” over discovering an ’80s treasure: an OG vinyl copy of Spring Session M, the timeless 1982 classic from Missing Persons — for just six bucks!
Both bold experiment and colossal failure in the 1960s, Esperanto language art house horror film Incubus returns with pre-_Star Trek_ William Shatner to claim a perhaps more serious audience.
You Can’t Tell Me I’m Not What I Used To Be (North & Left Records). Review by Randy Radic.
In this latest installment of his weekly series, Christopher Long is betrayed by his longtime GF when she swipes his copy of Loretta Lynn’s Greatest Hits Vol. II right out from under his nose while rummaging through a south Florida junk store.