Lorna
Writing Down Things to Say (Words on Music). Review by Aaron Shaul.
Writing Down Things to Say (Words on Music). Review by Aaron Shaul.
Motion To Rejoin (Matador). Review by Matthew Moyer.
Matthew Moyer gets all dreeeeeeeamy with Portland’s upstart dreampop army, pacific UV. They’ve just released an album that rivals Sigur Ros for lushness - what’s next?
longplay 2 (Warm). Review by Matthew Moyer.
Catherine Avenue (Love Minus Zero Recordings). Review by Matthew Moyer.
Summerbirds In the Cellar have developed such a large Orlando following that the cd release party for their long-awaited sophomore disc, Druids, demanded not one but two shows. Jen Cray dropped in for the early show.
Dodging fights in the streets, Jen Cray made it inside The Social for a gorgeous evening of dreamy indie pop courtesy of Robbers on High Street and Great Northern.
Ghosts Will Come and Kiss Our Eyes (Constellation). Review by Aaron Shaul.
Golden Sun (Paper Trail). Review by Aaron Shaul.
Applause Cheer Boo Hiss (Rebel Group). Review by Jen Cray.
Everything Last Winter (Black Label). Review by Jen Cray.
Lion The Girl (New Line). Review by Jen Cray.
Brightblack Morning Light (Matador Records). Review by Matthew Moyer.
Come Down (Rykodisc). Review by Aaron Shaul.
Surrogate Emotions of the Silver Screen (New Granada). Review by Matthew Moyer.
The Shining Example is Lying on the Floor (Broken Sparrow). Review by Aaron Shaul.
Static Patterns and Souvenirs (Words On Music). Review by Aaron Shaul.
Get Down (FILM Guerrero). Review by Aaron Shaul.
“Oh, the albums I wish I had reviewed…” says Rob Walsh , Ink 19’s overworked reviews editor.
Forget Yourself (SpinART/Cooking Vinyl). Review by Eric J. Iannelli.
Sharon Van Etten & The Attachment Theory (Jagjaguwar). Review by Peter Lindblad.
This week, Christopher Long goes “gaga” over discovering an ’80s treasure: an OG vinyl copy of Spring Session M, the timeless 1982 classic from Missing Persons — for just six bucks!
Both bold experiment and colossal failure in the 1960s, Esperanto language art house horror film Incubus returns with pre-_Star Trek_ William Shatner to claim a perhaps more serious audience.
You Can’t Tell Me I’m Not What I Used To Be (North & Left Records). Review by Randy Radic.
In this latest installment of his weekly series, Christopher Long is betrayed by his longtime GF when she swipes his copy of Loretta Lynn’s Greatest Hits Vol. II right out from under his nose while rummaging through a south Florida junk store.