Saliva
Rise Up (Rum Bum). Review by Carl F Gauze.
Rise Up (Rum Bum). Review by Carl F Gauze.
Beginning. Review by Andrew Ellis.
Here Come the Floods (Humblebee). Review by Aaron Shaul.
Spring a Leak (Matinee). Review by Aaron Shaul.
Spirit (Acuarela). Review by Aaron Shaul.
Perhaps We Should Have Smoked the Salmon First (Graveface). Review by Aaron Shaul.
Abner Trio & Mat At Arms (Joyful Noise). Review by Aaron Shaul.
Kill Them With Kindness (Polyvinyl). Review by Aaron Shaul.
3WD (Gravitation). Review by Aaron Shaul.
English Self Storage (Sink & Stove). Review by Aaron Shaul.
Unidirectional. Review by Kyrby Raine.
Antidote For Irony (Fearless). Review by Aaron Shaul.
Lonely People of the World, Unite! (Mousse). Review by Aaron Shaul.
Non-Fiction/Sumatra Fox (Emergency Umbrella). Review by Aaron Shaul.
Government Commissions: BBC Sessions 1996-2003 (Matador). Review by Aaron Shaul.
Pretend You’re Alive (Militia Group). Review by Daniel Mitchell.
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Demon Hunter (Solid State). Review by Daniel Mitchell.
They Love Those Who Make the Music (Initial). Review by Daniel L. Mitchell.
Twenty-three years after his Sonic Recipe for Love, Steve Stav writes a playlist for the brokenhearted victims of another corporate holiday: the first Valentine’s Day of the second Trump era.
Phil Bailey reviews Rampo Noir, a four part, surreal horror anthology film based on the works of Japan’s horror legend, Edogawa Rampo.
In this latest installment of his popular weekly series, Christopher Long finds himself dumpster diving at a groovy music joint in Oklahoma City, where he scores a bagful of treasure for UNDER $20 — including a well-cared-for $3 vinyl copy of Life for the Taking, the platinum-selling 1978 sophomore set from Eddie Money.
Ink 19’s Liz Weiss spends an intimate evening with Gregory Alan Isakov.
Sharon Van Etten & The Attachment Theory (Jagjaguwar). Review by Peter Lindblad.
This week, Christopher Long goes “gaga” over discovering an ’80s treasure: an OG vinyl copy of Spring Session M, the timeless 1982 classic from Missing Persons — for just six bucks!
Both bold experiment and colossal failure in the 1960s, Esperanto language art house horror film Incubus returns with pre-_Star Trek_ William Shatner to claim a perhaps more serious audience.
You Can’t Tell Me I’m Not What I Used To Be (North & Left Records). Review by Randy Radic.