Escape To New Jazz With ESC
Kurt Russell is nowhere to be seen, but Tom “Tearaway” Schulte is here to survey a cityscape littered with pop culture detritus.
Kurt Russell is nowhere to be seen, but Tom “Tearaway” Schulte is here to survey a cityscape littered with pop culture detritus.
Believer (Ecstasy / Warner). Review by Tony Bowman.
Things Change (Leaps). Review by Sean Slone.
With the year drawing to a close, we thought it’d be appropriate for our staff to tell you what they thought the best stuff all year was. Features Editor James Mann kicks off with his choices for the Top 19 Albums of 2001.
Walk Alone (Ultimatum). Review by Marcel Feldmar.
This week, cuddly curmudgeon Christopher Long finds himself feeling even older as he hobbles through a Florida flea market in pursuit of vinyl copies of the four infamous KISS solo albums — just in time to commemorate the set’s milestone 45th anniversary.
Starting with small-time jobs, two gangsters take over all the crime in Marseilles in this well-paced and entertaining French film. Carl F. Gauze reviews the freshly released Arrow Video Blu-ray edition of Borsalino (1970).
Aaron Tanner delivers 400 pages of visual delights from the ever-enigmatic band, The Residents, in The Residents Visual History Book: A Sight for Sore Eyes, Vol. 2.
Two teenage boys build a sexy computer girlfriend with an 8-bit computer… you know the story. Carl F. Gauze reviews Weird Science (1985), in a new 4K UHD Blu-ray release from Arrow Films.
Cauldron Films’ new UHD/Blu-ray release of Lucio Fulci’s City of the Living Dead (1980) preserves one of the best Italian horror films, according to Phil Bailey.
Marleen Gorris’s first theatrical feature is a potent feminist look at the easily disposable lives of sex workers in Amsterdam. Phil Bailey reviews Broken Mirrors.
Late bloomer Tony Bowman spins a tale of past decades with a Jimmy Buffett soundtrack.