Revolting Cocks
Cocked and Loaded (13th Planet/Megaforce). Review by Kiran Aditham.
Cocked and Loaded (13th Planet/Megaforce). Review by Kiran Aditham.
Oxidizer (Invisible Records ). Review by Matthew Moyer.
Error (Epitaph). Review by Addam Donnelly.
WWIII Live 2003 (Sanctuary). Review by Jen Cray.
Houses of The Mole (Sanctuary). Review by Jorge C. Galban.
Spend an hour with Al Jourgensen and you’re guaranteed to get a lot of dirt. But probably not quality dirt, like Gail Worley digs up. Reissues, the parting of ways with Paul Barker, and the dreaded Curse of Seattle – get a fresh pack and pour the wine for this one.
Martin Atkins leads the revolving mayhem of Pigface and Gail Worley finds out why the heaviest drummer in the land doesn’t play drums much anymore.
Martin Atkins leads the revolving mayhem of Pigface and Gail Worley finds out why the heaviest drummer in the land doesn’t play drums much anymore.
Sturm & Drang Tour 2002 (Metropolis). Review by Matthew Moyer.
From the subtleties of covering Magazine songs to prompting riots in Pearl Harbor, the Men of Ministry are not afraid to discuss anything. First of a two-part interview with Gail Worley.
Animositisomina (Sanctuary). Review by Dan Stapleton.
100% Live (Locomotive). Review by Stein Haukland.
Coming Down: The Bastard Remix Album (Underground Inc.). Review by Stein Haukland.
Ink 19 kicks off our 2002 “Top 19” lists with 19 examples of rock star wisdom from the talented Gail Worley.
The 5ifth Column (Underground Inc. / Cracknation). Review by Matthew Moyer.
Ink 19 is proud to host a roundtable discussion on the significance of Andrew W.K. Is he pop’s first “demi-ironist,” or does he just plain “suck”? Christopher R. Weingarten, M. David Hornbuckle, and Ned Davis explore the possibilities in a spirited debate.
Flow (Thirsty Ear). Review by Nathan T. Birk.
Industrial godheads Ministry are in the midst of a resurgence with a Greatest Fits album and an appearance in the summer blockbuster, A.I. Kiran Aditham talks with Paul Barker about label politics, soundalike bands, and why Filth Pig is the band’s greatest triumph.
You could call it an industrial supergroup: Martin Atkins, Chris Connelly, Jah Wobble, and Geordie Walker bring together decades of experience in bands like Pigface, Killing Joke, Public Image Limited, Ministry, the Revolting Cocks, and more, and start a new project, the Damage Manual. drew West gets the story straight from Atkins himself.
Bend are making quite a name for themselves on the Atlanta scene, with high-profile gigs opening for the likes of Ministry and Powerman 5000. Andrea Thompson bends the ears of vocalist Scott Dodds and guitarist Jason Grover of the up and coming alt-rock quintet.
Today’s Smmoth Jazz Roundup is a collection of short reviews of easy-to-listen-to jazz.
In Perfect Harmony: The Lost Album (Jazz Detective). Review by Bob Pomeroy.
The Mighty Warriors: Live in Antwerp (Elemental Music). Review by Bob Pomeroy.
40 years on, Michael Gira and Swans continue to bring a ritualistic experience that needs to be heard in order to be believed. Featured photo by Reese Cann.
The biggest astronomical event of the decade coincides with a long overdue trip to Austin, Texas.
Sofia and Louise have just graduated nursing school. They have no idea what they’ve signed up for.
At the Showcase: Live in Chicago 1976/1977 (Jazz Detective). Review by Bob Pomeroy.
Atlantis Lullaby: The Concert in Avignon (Elemental Music). Review by Bob Pomeroy.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.