Georgio “The Dove” Valentino
You Brought a Knife to a Gunfight (Tom Perkins Entertainment). Review by Aaron Shaul.
You Brought a Knife to a Gunfight (Tom Perkins Entertainment). Review by Aaron Shaul.
Even if you’re not a child of the ’70s, sweep the comic books off your coffee table – Matthew Moyer thinks you should make room for New York Dolls: The Photographs of Bob Gruen.
After fifteen years, Modest Mouse is at the top of the game. Jen Cray was one of many who felt their majesty at a recent Orlando concert.
Kill Twee Pop! (Slumberland). Review by Aaron Shaul.
The Fallen Aristocracy EP (Matinée). Review by Aaron Shaul.
Jen Cray finds herself at a Duran Duran concert in 2008, and missing the AquaNet smell of a zillion emotional teenaged girls.
Rotten Love (One Little Indian). Review by Aaron Shaul.
On the Wing Now (Dim Mak). Review by Jen Cray.
Venus Doom (Sire). Review by Jen Cray.
Trampoline (Drive Thru). Review by Jen Cray.
The Orphans (Test Tube Baby). Review by Jen Cray.
For his first show in Central Florida in 15 years, Morrissey proved that not since Elvis has a musician been capable of inciting a near riot by a twist of his lip and the tossing of his shirt. Jen Cray was happily amongst the swooning masses.
Music From Regions Beyond (Hellcat). Review by Jen Cray.
#3 (Minty Fresh). Review by Aaron Shaul.
Both Before I’m Gone (Blackheart). Review by Jen Cray.
The Lights Went Up (Scenery). Review by Aaron Shaul.
Straight from a music school in Brighton to the top of the charts in England, The Kooks are the United Kingdom’s answer to The Strokes. Jen Cray spoke with their charming frontman Luke Pritchard about making it in the States.
It’s taken Deerhoof thirteen years to grab widespread attention, but now that the media is paying attention the fans have followed. Jen Cray was one among many who crammed into The Social in Orlando, FL, to see what all the fuss is about.
The Dears’ mighty guitarist Patrick Krief has stepped up to the plate to write, perform and produce his very first solo effort. Just a week before the release of his debut solo work, and while still on the road with his band, he took the time to talk with Jen Cray.
Everything. Now! (Twentyseven). Review by Aaron Shaul.
This week, Christopher Long goes “gaga” over discovering an ’80s treasure: an OG vinyl copy of Spring Session M, the timeless 1982 classic from Missing Persons — for just six bucks!
Both bold experiment and colossal failure in the 1960s, Esperanto language art house horror film Incubus returns with pre-_Star Trek_ William Shatner to claim a perhaps more serious audience.
You Can’t Tell Me I’m Not What I Used To Be (North & Left Records). Review by Randy Radic.
In this latest installment of his weekly series, Christopher Long is betrayed by his longtime GF when she swipes his copy of Loretta Lynn’s Greatest Hits Vol. II right out from under his nose while rummaging through a south Florida junk store.