Band Vs. Brand
When does a band become a brand? This new documentary examines the current state of the music business and reveals how the “brand” of a rock group now has more power than the members themselves.
Tag: Motörhead
R.I.P.
Street Reaper (Brave in the Grave). Review by Bob Pomeroy.
Geezër
Geezër brought their old-school show all the way from their Miami rest home, and Julius C. Lacking thinks they were quite spry.
Motörhead
It was a night of metal and moshing in the sold-out House of Blues, with Motörhead and Anthrax in town. Carl F Gauze elbowed his way through the madness.
Pillbuster
Brothel (Stonerkill Records). Review by Carl F gauze.
This Is Your Life: A Tribute to Ronnie James Dio
This Is Your Life: A Tribute to Ronnie James Dio (Rhino Records). Review by Christopher Long.
Motörhead
Aftershock (UDR GmbH). Review by Carl F Gauze.
Louder than Hell
The final word on the history of metal.
The Black Bananas
Rad Times Express IV (Drag City). Review by Jen Cray.
An Interview with Drummer Paul Cook of Sex Pistols and Manraze
Gail Worley talks with drummer Paul Cook of Sex Pistols and Manraze.
The Melvins
Sugar Daddy Live (Ipecac Recordings). Review by James Mann.
American Speedway
A Bigger Boat (Prophase Music). Review by Carl F Gauze.
Armagedda
I Am (Eisenwald/Nordvis). Review by Matthew Moyer.
Killing Joke
Absolute Dissent (Spinefarm/Universal). Review by Matthew Moyer.
Slayer: War At The Warfield, Still Reigning, and Live Intrusion
Somebody get Matthew Moyer a towel – he’s been standing in Slayer’s bloody rainstorm again, watching concert DVDs.
Motorhead in the Studio
How does one make a book about Motorhead, hard-drugging and hard-thrashing metal godfathers, boring? Read on…
We Wish You a Metal Christmas and a Headbanging New Year
Various Artists (Armoury Records). Review by Matthew Moyer.
The Fall
Your Future Our Clutter (Domino). Review by Matthew Moyer.
Darkthrone
Circle the Wagons (Peaceville). Review by Matthew Moyer.
Harvestman / US Christmas / Minsk
Hawkwind Triad (Neurot). Review by Matthew Moyer.
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