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Games of Power (La Vida Es Un Mus Discos). Review by Steven Cruse.
Games of Power (La Vida Es Un Mus Discos). Review by Steven Cruse.
To Repel Ghosts (Static Blooms Records.). Review by Bob Pomeroy.
Music superfans Lois and Dennis have been attending concerts and befriending musicians since the ’70s. The couple shares their obsessive music fandom with the rest of the world in this quirky, charming documentary.
American Psycho: Original London Cast Recording. Review by Carl F Gauze.
Dreamlover (Group Tightener Records). Review by Laura Pontillo.
Outside (Independent). Review by Michelle Wilson.
The Post Romantic Empire Album (Our Sweetest Songs). Review by Carl F Gazue.
Matthew Moyer unveils the secrets of this month’s 45 Grave.
Merchandise makes Gainesville, and Matthew Moyer, swoon like teenagers at an early ’90s Morrissey concert… and that’s a very, very good thing.
May Terry melts the winter doldrums with the French Horn Rebellion’s all-out Nu-Disco dance party at Brooklyn Bowl.
Put Your Sad Down EP (Vagrant). Review by Jen Cray.
Cut Copy, a band too skilled to be discarded as just another dance band, blanketed Orlando’s Firestone Live with an aura of awesome, according to Jen Cray and about a thousand others.
Covers 80’s. Review by Tim Wardyn.
Zonoscope (Modular Recordings). Review by Jen Cray.
Memories of an Echo. Review by Robert Sutton.
Electric Sunset (K Records). Review by Matthew Moyer.
Surfer Blood stole the headlining spot right out from under tour mates The Pains of Being Pure at Heart for a semi-hometown Orlando gig, but Jen Cray doesn’t think that they earned it.
Bedroom Madness (Noise Pop). Review by Matthew Moyer.
White Crosses (Sire). Review by Jen Cray.
Small-town Grand Junction, Colorado, comes out in droves to Slamming Bricks 2023, as our beloved queer community event eclipses its beginnings to command its largest audience yet. Liz Weiss reviews the performance, a bittersweet farewell both to and from the Grand Valley’s most mouthy rebel organizer, Caleb Ferganchick.
Carl F. Gauze reviews Dreamers Never Die, the loving documentary on the career of rocker extraordinaire Ronnie James Dio.
The iconic rock and roll magazine from the 1960s is back and just as relevant and snotty as ever.
This week, Christopher Long nearly fights a famed rock star in defense of his 1970s pin-up princess. To prove his point, Chris goes into his own garage and digs out his musty vinyl copy of the self-titled 1972 alt. country classic from Linda Ronstadt.
A former convict returns to London to avenge his former enemies and save his daughter. Carl F. Gauze reviews the Theater West End production of Sweeney Todd.
This week, cuddly curmudgeon Christopher Long finds himself feeling even older as he hobbles through a Florida flea market in pursuit of vinyl copies of the four infamous KISS solo albums — just in time to commemorate the set’s milestone 45th anniversary.
Starting with small-time jobs, two gangsters take over all the crime in Marseilles in this well-paced and entertaining French film. Carl F. Gauze reviews the freshly released Arrow Video Blu-ray edition of Borsalino (1970).
Aaron Tanner delivers 400 pages of visual delights from the ever-enigmatic band, The Residents, in The Residents Visual History Book: A Sight for Sore Eyes, Vol. 2.