Supersystem
Always Never Again (Touch & Go). Review by Aaron Shaul.
Always Never Again (Touch & Go). Review by Aaron Shaul.
Who has the courage to not only cover the Cure’s immortal New Wave prom classic “Just Like Heaven,” but also name her CD after New Order’s equally beloved “Bizarre Love Triangle”? Kyrby Raine talks to San Francisco’s Charlotte Summer.
To The Moon (Claire Records). Review by Matthew Moyer.
The North Sea (Sonic Unyon Records). Review by Matthew Moyer.
Songs for the Human Listener (self-released). Review by Kyrby Raine.
Kaskade (Metropolis Records). Review by Jorge C. Galban.
Dance/pop darlings of the 80’s, Erasure, bring a flamboyant display of unadulterated fun to Orlando’s House of Blues. Jen Cray is pleasantly surprised.
Bizarre Love Triangle (Planet XOX). Review by Kyrby Raine.
Protest (Ace Fu). Review by Aaron Shaul.
Dylan Garret chats with Dan Geller of I Am The World Trade Center about dance music, DJing, downloads, and how New York City needs to stop being so damned expensive already. All this and more, with less questions about the band’s name than you’ve come to expect. Well, okay, just one. But it’s a good one.
The Orange Billboard (Hidden Agenda). Review by Aaron Shaul.
Echoes (Universal). Review by Aaron Shaul.
Inferno (Metropolis). Review by Matthew Moyer.
Trebuchet EP (Slow Dance). Review by Troy Jewell.
The Everlasting Blink (Guidance). Review by BEn VarkeNTine.
Kill The DJ (Hypnotic). Review by Ben Varkentine.
The Happiest Days of Our Lives (Double Agent). Review by Ben Varkentine.
This Soft Life (ModMusic). Review by Ben Varkentine.
Basic Instructions EP (Epitaph). Review by Daniel Mitchell.
“Melodic with a touch of groove and an anemic, very white approach to the vocals, but still soulful.” Gail Worley talks to Johnny Marr, currently of The Healers and formerly of the Smiths, and manages to keep it together. Mostly.
Everything Changes, Everything Stays the Same (Tapete Records). Review by Peter Lindblad.
Stories I Only Tell My Friends (Blackbird Records). Review by Bob Pomeroy.
Bone Bells (Pyroclastic Records). Review by Bob Pomeroy.
In this installment of his popular weekly series, Christopher Long recalls rolling up on a used record joint in Myrtle Beach where he scored a clean and quiet vinyl copy of Hermit of Mink Hollow, the 1978 masterpiece from Todd Rundgren, for just $2.
Ink 19 spoke with Brendan James to discuss the inspiration behind Chasing Light, his uniquely alluring sound, and why he makes music.
Serving as an inspirational beacon for aspiring musicians and artists — women and men alike — Beat Keepers: The Next Chapter may not be a big-budget feature, but its heartbeat is HUGE!
Let the Good Times Roll (Vegas Records). Review by Bob Pomeroy.