The Brother Brothers
Cover to Cover (Compass Records). Review by Carl F. Gauze.
Cover to Cover (Compass Records). Review by Carl F. Gauze.
Little Girl Blue (BMG). Review by James Mann.
All The Misery Money Can Buy (Soundly Music). Review by James Mann.
Freedom Highway (Nonesuch). Review by Bob Pomeroy.
The White Man Made Me Do It (Alive Records). Review by James Mann.
Nina (Graveface). Review by Matthew Moyer
Electricity by Candlelight- NYC 2/13/97 (Bar/None Records). Review by James Mann.
Night (Sony Classical). Review by James Mann.
The distance between Eunice Waymon and Nina Simone is explained and explored for Jessica Whittington in this somewhat dry biography.
Chamber Music Society (Heads Up). Review by James Mann.
Kairos (Dead Oceans). Review by Matthew Moyer.
Hitting the road with Ani DiFranco as a follow-up to her national touring debut with no less a superstar than Tracy Chapman , Gaby Moreno will have to follow-up her debut album, Still the Unknown with a title more befitting her potential breakout. She’s already got some surprises up her sleeve for the second act.
From gothic siren to torch singer, Gitane Demone has been through it all. This new double-disc DVD collection chronicles the many phases and changes of her long and overlooked life and art.
David Thomas Broughton vs. 7 Hertz (Acuarela). Review by Aaron Shaul.
Fast boats, Ferraris and 3-day stubble. Yes, Crockett and Tubbs are back – but the new Miami Vice draws surprisingly few comparisons to the iconic TV series. Our man in the Keys, Steve Stav , delivers a hard-boiled report on Michael Mann’s latest crime drama.
Anything (Palm Records). Review by Tim Wardyn.
Shelton Hull eagerly devours reissues of lesser-known work by the jazz titans Coltrane, Ellington, and Mingus. What’s left to do then but riff, baby, riff!
The Kings of Hip Hop (BBE/Rapster). Review by Bill Campbell.
Artist’s Choice: Music That Matters to Her (Hear Music). Review by Bill Campbell.
Remixed 2 (Verve). Review by Ben Varkentine.
This fall, Ani DiFranco brought new Righteous Babe labelmate Kristen Ford to Iowa City, where Jeremy Glazier enjoyed an incredible evening of artistry.
This week Christopher Long grabs a bag of bargain vinyl from a flea market in Mount Dora, Florida — including You’re Never Alone with a Schizophrenic, the classic 1979 LP from Ian Hunter.
Bob Pomeroy gets into four Radio Rarities from producer Zev Feldman for Record Store Day with great jazz recordings from Wes Montgomery, Les McCann, Cal Tjader, and Ahmad Jamal.
Bob Pomeroy digs into Un “Sung Stories” (1986, Liberation Hall), Blasters’ frontman Phil Alvin’s American Roots collaboration with Sun Ra and his Arkestra, the Dirty Dozen Brass Band, and New Orleans saxman Lee Allen.
Roi J. Tamkin reviews A Darker Shade of Noir, fifteen new stories from women writers completely familiar with the horrors of owning a body in a patriarchal society, edited by Joyce Carol Oates.
Mandatory: The Best of The Blasters (Liberation Hall). Review by Bob Pomeroy.
Feeling funky this week, Christopher Long gets his groove on while discovering a well-cared-for used vinyl copy of one of his all-time R&B faves: Ice Cream Castle, the classic 1984 LP from The Time, for just a couple of bucks.
During AFI Fest 2023, Lily and Generoso interviewed director Lkhagvadulam Purev-Ochir, whose impressive debut feature, City of Wind, carefully examines the juxtaposition between the identity of place and tradition against the powers of modernity in contemporary Mongolia.
Juliana Hatfield Sings ELO (American Laundromat Records). Review by Laura Pontillo.