Sevendust
Gail Worley sits down with Sevendust drummer Morgan Rose for a debriefing on a rough year. From divorces to record label woes to clothing companies, nothing is off limits this time around.
Gail Worley sits down with Sevendust drummer Morgan Rose for a debriefing on a rough year. From divorces to record label woes to clothing companies, nothing is off limits this time around.
Cruel Melody (I am: Wolfpack). Review by Jen Cray.
Judgement (Metropolis Records). Review by Jorge C. Galban.
Tool is well known for being one of the most innovative, abstract metal bands of the last 20 years. What many people don’t realize is how protective the band is of every aspect of their career, including their image. After being told again and again that she would never get approved, Jen Cray was shocked to be allowed inside the band’s Orlando show with her camera.
Something Quite Peculiar (Science). Review by Jen Cray.
Mindfreak - Official Soundtrack (Koch Records). Review by Joe Frietze.
The Dears’ mighty guitarist Patrick Krief has stepped up to the plate to write, perform and produce his very first solo effort. Just a week before the release of his debut solo work, and while still on the road with his band, he took the time to talk with Jen Cray.
Songs of Eta Carinae (Beta-lactam). Review by Aaron Shaul.
Fair To Midland are blessed, and cursed, with the title “the first band to be signed to Serj Tankian’s label.” Jen Cray sat down with vocalist Darroh Sudderth and keyboardist Matt Langley outside of Orlando’s House of Blues just before the second night of their first ever major tour.
Protected. Review by Kyrby Raine.
The Masterba_Tour_ is the Al Jourgensen show. Headlined by Ministry and also featuring Jourgensen’s longtime side project, Revolting Cocks, it’s an evening of industrial, experimental metal, and mayhem. Jen Cray finds herself front and center.
Evil Genius. Review by Kyrby Raine.
Half-Pint Demigod (self-released). Review by Kyrby Raine.
Up Off The Floor (Locomotive). Review by Addam Donnelly.
The Dresden Dolls (8 Ft. Records). Review by Tim Wardyn.
The City at Night (Bifocal Media/Lucid Records). Review by Jen Cray.
Error (Epitaph). Review by Addam Donnelly.
Jorge Galban reviews Skinny Puppy on their Greater Wrong of The Right US Tour.
WWIII Live 2003 (Sanctuary). Review by Jen Cray.
Based On Actual Events (Shiverstar Records). Review by Tim Wardyn.
Alfred Sole’s Alice, Sweet Alice is a very Generation X movie, mirroring our 1970s lives in important and disturbing ways. Phil Bailey reviews the new 4K UHD version.
In 1977, Here at Last… Bee Gees …Live cemented the Bee Gees’ budding reputation as world-class master songsmiths. 46 years later, longtime Ink 19 writer Christopher Long nabs a well-loved $6 vinyl copy at a Florida flea market — replacing his long-loved and lost-to-the-ages original record.
All-American music legend Bonnie Raitt played the Riverwind Casino Showplace Theatre in Norman, Oklahoma, recently while on her Live 2025 international concert tour. Longtime Ink 19 contributor Christopher Long was there and got the goods.
“Little Dreaming” (Darkroom / Polydor / Capitol). Review by Danielle Holian.
Everything Changes, Everything Stays the Same (Tapete Records). Review by Peter Lindblad.
Stories I Only Tell My Friends (Blackbird Records). Review by Bob Pomeroy.
Bone Bells (Pyroclastic Records). Review by Bob Pomeroy.