A Cool Million
Enough popular culture to choke a horse! Tom “Tearaway” Schulte digs through the rubble of millions of rock and roll dreams.
Enough popular culture to choke a horse! Tom “Tearaway” Schulte digs through the rubble of millions of rock and roll dreams.
Zerospace (Extasy). Review by Vanessa Bormann.
The Best of Pigface (Invisible Records). Review by James Mann.
Our Lady Peace singer Raine Maida talks about the band’s most recent CD, Spiritual Machines, and lists and discusses his ten favorite songs with Gail Worley.
The Attraction to All Things Uncertain (Six Degrees). Review by Gail Worley.
A Tribute to Nine Inch Nails (Vitamin). Review by Kiran Aditham.
Gift (Hip-O). Review by James Mann.
Beyond Indifference (Quality Park). Review by Marcel Feldmar.
Flow (Thirsty Ear). Review by Nathan T. Birk.
Welcome To Paradise (Triple X). Review by Marcel Feldmar.
Distorted Lullabies (Dreamworks). Review by Terry Eagan.
Chasing The Dragon (Nettwerk). Review by Terry Eagan.
Industrial godheads Ministry are in the midst of a resurgence with a Greatest Fits album and an appearance in the summer blockbuster, A.I. Kiran Aditham talks with Paul Barker about label politics, soundalike bands, and why Filth Pig is the band’s greatest triumph.
Exciter (Mute/Reprise). Review by Julio Diaz.
Stabbing Westward (Koch). Review by Kiran Aditham.
After waiting over five years for the stunning NIN release The Fragile…
Bend are making quite a name for themselves on the Atlanta scene, with high-profile gigs opening for the likes of Ministry and Powerman 5000. Andrea Thompson bends the ears of vocalist Scott Dodds and guitarist Jason Grover of the up and coming alt-rock quintet.
Hey man, nice show: Jen Lato caught Filter and Chevelle at the House of Blues in Orlando on March 29, 2000.
Alfred Sole’s Alice, Sweet Alice is a very Generation X movie, mirroring our 1970s lives in important and disturbing ways. Phil Bailey reviews the new 4K UHD version.
In 1977, Here at Last… Bee Gees …Live cemented the Bee Gees’ budding reputation as world-class master songsmiths. 46 years later, longtime Ink 19 writer Christopher Long nabs a well-loved $6 vinyl copy at a Florida flea market — replacing his long-loved and lost-to-the-ages original record.
All-American music legend Bonnie Raitt played the Riverwind Casino Showplace Theatre in Norman, Oklahoma, recently while on her Live 2025 international concert tour. Longtime Ink 19 contributor Christopher Long was there and got the goods.
“Little Dreaming” (Darkroom / Polydor / Capitol). Review by Danielle Holian.
Everything Changes, Everything Stays the Same (Tapete Records). Review by Peter Lindblad.
Stories I Only Tell My Friends (Blackbird Records). Review by Bob Pomeroy.
Bone Bells (Pyroclastic Records). Review by Bob Pomeroy.