Old Man’s Child
Revelation 666-The Curse of Damnation (Century Media). Review by Mike Fournier
Revelation 666-The Curse of Damnation (Century Media). Review by Mike Fournier
Infinite (Nuclear Blast). Review by Nathan T. Birk
Deggial (Nuclear Blast). Review by Nathan T. Birk
Written In Blood (Nuclear Blast). Review by Mike Fournier
Nailwork (Nuclear Blast). Review by Mike Fournier
Messiah (Nuclear Blast). Review by Nathan T. Birk
Deggial (Nuclear Blast). Review by Nathan T. Birk
Messiah (Nuclear Blast). Review by Mike Fournier
They Came Over the High Pass (Necropolis). Review by Nathan T. Birk
Diving Into Darkness (Nuclear Blast). Review by Mike Fournier
The Second Decade (Nuclear Blast). Review by Saucy Jack
Animatronic (Nuclear Blast). Review by Nathan T. Birk
Rebel Extravaganza (Nuclear Blast). Review by Nathan T. Birk
Bigger Than the Devil (Nuclear Blast). Review by David Lee Beowülf
Soulburner (Nuclear Blast). Review by Nathan T. Birk
Tales from the North (Nuclear Blast). Review by Nathan T. Birk
Masterpeace (Nuclear Blast). Review by Nathan T. Birk
Resurrection (Nuclear Blast). Review by Nathan T. Birk
Jaws of Death (Nuclear Blast). Review by Nathan T. Birk
Beware the Heavens (Nuclear Blast). Review by Nathan T. Birk
Alfred Sole’s Alice, Sweet Alice is a very Generation X movie, mirroring our 1970s lives in important and disturbing ways. Phil Bailey reviews the new 4K UHD version.
In 1977, Here at Last… Bee Gees …Live cemented the Bee Gees’ budding reputation as world-class master songsmiths. 46 years later, longtime Ink 19 writer Christopher Long nabs a well-loved $6 vinyl copy at a Florida flea market — replacing his long-loved and lost-to-the-ages original record.
All-American music legend Bonnie Raitt played the Riverwind Casino Showplace Theatre in Norman, Oklahoma, recently while on her Live 2025 international concert tour. Longtime Ink 19 contributor Christopher Long was there and got the goods.
“Little Dreaming” (Darkroom / Polydor / Capitol). Review by Danielle Holian.
Everything Changes, Everything Stays the Same (Tapete Records). Review by Peter Lindblad.
Stories I Only Tell My Friends (Blackbird Records). Review by Bob Pomeroy.
Bone Bells (Pyroclastic Records). Review by Bob Pomeroy.