Guided by Voices
Half Smiles of the Decomposed (Matador). Review by Eric J. Iannelli.
Half Smiles of the Decomposed (Matador). Review by Eric J. Iannelli.
…is a Real Boy (Doghouse). Review by Daniel Mitchell.
Dark Nights: Knife City (ParadeCo Records). Review by Carl F Gauze.
010 (Eenie Meenie Records). Review by Rob Levy.
Leftover Blues 1991 – 2003 (Contraphonic). Review by Terry Eagan.
Mitch Easter, Let’s Active, the dBs, Rob Levy, interview
They don’t come more seminal than Mitch Easter, who has influenced music from both sides of the mixing board, with his band Let’s Active and as the producer for acts like REM, Pavement and Marshall Crenshaw. Rob Levy grabs a few moments with the busy man.
Human Amusement at Hourly Rates (Matador). Review by Stein Haukland.
Human Amusement at Hourly Rates (Matador). Review by Stein Haukland.
943 Recluse (Recordhead / Mr. Whiggs). Review by Stein Haukland.
Feed (Burnside). Review by Aaron Shaul.
Amigo Row (Merge). Review by Sean Slone.
Part One: Aguirre Returns (Eskimo Laboratories). Review by Terry Eagan.
I Saw a Bright Light (Daemon). Review by Aaron Shaul.
The Singles 1992-1997 (No Sides). Review by Terry Eagan.
Offcell (Absolutely Kosher Records). Review by Margie Libling.
Sumday (V2 Records). Review by Eric J. Iannelli.
London Crawling (Rub Wrongways Records). Review by Daniel Mitchell.
Tomorrow Waits (Two Sheds). Review by Aaron Shaul.
Distant Hearts, A Little Closer (Flameshovel). Review by Stein Haukland.
Charles DJ Deppner takes a look at a new book of artwork by DEVO’s Mark Mothersbaugh, and discovers the book is actually looking back at him.
Kid Congo & The Pink Monkey Birds’ “Wicked World” video features Alice Bag, previews That Delicious Vice, out April 19 on In The Red Records.
Despite serving up ample slices of signature snark, FOX News golden boy Jesse Watters, for the most part, just listens — driving the narrative of his latest book, Get It Together, through the stories of others.
Brooklyn rapper Max Gertler finds himself a bit ground up on “Put My Heart in a Jay,” his latest single.
The dissolution of a wealthy Russian family confuses everyone involved.