- Music Reviews
- March 8, 2021
Carnival of Peculiarities (Twisted Music). Review by Carl F. Gauze.
Dark Nights: Knife City (ParadeCo Records). Review by Carl F Gauze.
010 (Eenie Meenie Records). Review by Rob Levy.
Leftover Blues 1991 — 2003 (Contraphonic). Review by Terry Eagan.
Mitch Easter, Let's Active, the dBs, Rob Levy, interview
They don’t come more seminal than Mitch Easter, who has influenced music from both sides of the mixing board, with his band Let’s Active and as the producer for acts like REM, Pavement and Marshall Crenshaw. Rob Levy grabs a few moments with the busy man.
Human Amusement at Hourly Rates (Matador). Review by Stein Haukland.
943 Recluse (Recordhead / Mr. Whiggs). Review by Stein Haukland.
Feed (Burnside). Review by Aaron Shaul.
Amigo Row (Merge). Review by Sean Slone.
Part One: Aguirre Returns (Eskimo Laboratories). Review by Terry Eagan.
I Saw a Bright Light (Daemon). Review by Aaron Shaul.
The Singles 1992-1997 (No Sides). Review by Terry Eagan.
Offcell (Absolutely Kosher Records). Review by Margie Libling.
Sumday (V2 Records). Review by Eric J. Iannelli.
London Crawling (Rub Wrongways Records). Review by Daniel Mitchell.
Tomorrow Waits (Two Sheds). Review by Aaron Shaul.
Distant Hearts, A Little Closer (Flameshovel). Review by Stein Haukland.
The Murky World of Seats (Bella Union). Review by Terry Eagan.
Things have neva been better for Neva Dinova, who are currently on tour with Cursive. Stein Haukland chats with the not-on-Saddle-Creek boys from Omaha.
Populist Octopus (Ojet). Review by Stein Haukland.