Kenny Wayne Shepherd and Beth Hart
Kenny Wayne Shepherd and Beth Hart offered a healthy serving of blues in Orlando, and Michelle Wilson was there to savor the sweet experience.
Kenny Wayne Shepherd and Beth Hart offered a healthy serving of blues in Orlando, and Michelle Wilson was there to savor the sweet experience.
An expansive and exhaustive behind-the-scenes account of Nirvana’s meteoric rise to fame, and the untimely death of its iconic frontman, Kurt Cobain.
The Greatest Hits (Universal Republic). Review by Christopher Long.
An unplugged evening with Eddie Vedder full of conversation, confessions, and two hours of music is a damn fine way for Jen Cray to spend the night.
Thrice takes a victory lap before a planned hiatus, to say “goodbye” to 14 years worth of fans on their Farewell Tour. Jen Cray enjoys their bittersweet (final?) Orlando date.
After nearly a decade’s hiatus, Gavin Rossdale has relaunched BUSH, and a super sold-out show in Orlando lets Jen Cray know that she’s not the only one excited to see this band back together.
GG Allin, bad boy of punk rock, terrorized audiences in Boston and Seattle. You’re going to want to clean your tongue after this one.
Infinite Arms (Columbia). Review by Sean Slone.
Local H prove to doubters that they are much more than a side-note in the story of grunge, and As Good As Dead is a sorely underrated album.
The Sound The Speed The Light (Matador Records). Review by Carl F Gauze.
By all accounts, Adelitas Way vocalist/songwriter Rick DeJesus should have become a statistic. Ink 19’s Elianne Halbersberg talks with the artist about how music – and VH1 – saved his life.
Greg Prato’s new oral history of Seattle music (or “grunge” to you and me, bucko) strikes the right balance between bratty humor and pathos, thinks Matthew Moyer. And was the bassist from Guns N’ Roses really in the Fastbacks? Read on,,,
Ten (Legacy Edition) (Epic Records). Review by Tim Wardyn.
Weekend Warrior. Review by Robert M. Sutton.
Live at the Paradiso - Amsterdam (Vanguard). Review by Tim Wardyn.
Songs from the Orange Room. Review by Robert M. Sutton.
Black Ice (Columbia). Review by Christopher Long.
As music festivals spring up all over the country, Bonnaroo attempts to live up to its reputation as Rolling Stone Magazine’s “Best Festival.” Jen Cray fears that the heart has gone right out of it.
Lead singer of Staind , Aaron Lewis, played an intimate acoustic show in Times Square, New York City with the support of Lo-Pro. Mark Fredrickson was there.
Year Long Disaster (Volcom). Review by Jen Cray.
55th Anniversary Super Deluxe Double LP (Don Giovanni Records). Review by Carl F. Gauze.
Macabre masterpiece The House that Screamed gets a stunning Blu-ray makeover, revealing a release good enough to convert non-believers. Phil Bailey reviews.
Ink 19’s Stacey Zering talks with writer Doug Bratton, who takes us inside his indie murder mystery comic book series, Isolation.
On today’s show, Charley Deppner, Eszter Balint, and Pat Greene enjoy a discussion of terror, punk rock, and the duality of musical genius.
In this episode, Jeremy Glazier talks with Tim Bluhm and Greg Loiacono of The Mother Hips, just as their entire back catalog is released on vinyl in partnership with the Blue Rose Foundation.
This week, savvy shopper Christopher Long scores an abused vinyl copy of The Long Run, the 1979 Eagles classic, from a local junkie for a pack of smokes and a can of pop.
Black Holes Are Hard to Find (Nemu Records). Review by Carl F. Gauze.
Carl F. Gauze reviews his second As You Like It in three days, the latest a candy-colored complexity from Rollins College’s Annie Russell Theatre.