Mary Lou Lord
Baby Blue (Rubric). Review by Aaron Shaul.
Baby Blue (Rubric). Review by Aaron Shaul.
Oscuro (Pascal). Review by Stein Haukland.
Kill The DJ (Hypnotic). Review by Ben Varkentine.
BDS Live in Paris . Review by Gail Worley.
Cole (self-released). Review by Ben Varkentine.
Hum Of The Motor (Crafty Records). Review by Gail Worley.
Airs Above Your Station (Sub Pop). Review by Eric J. Iannelli.
Let’s Get This Mother Outta Here (Peaceville). Review by Daniel Mitchell.
The Snakes (Bomp). Review by Vinnie Apicella.
Behind The Music (Universal). Review by James Mann.
Finally the Punk Rockers Are Taking Acid (Restless). Review by Matt Cibula.
Phoenix EP (Birdman). Review by Jason Michelitch.
In Absentia (Lava / Atlantic). Review by Chuck Johnson.
James Mann has a few thoughts on the rumored Zep tour. Okay, one: stay home.
Hide the Kitchen Knives (Beatville). Review by Stein Haukland.
What’s in a name? Gail Worley finds out with Chris Hesse of Hoobastank.
Titletron (Grand Theft Autumn). Review by Daniel Mitchell.
Yoshimi vs. the Pink Robots (Warner Bros.). Review by Matt Cibula.
The Great Dumbening (Vaccination). Review by Stein Haukland.
Secret Machines EP (Ace Fu). Review by Kurt Channing.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.