Sunday’s Best
Crashing in with a raging pop hook that makes me think of the Police, but mor…
Crashing in with a raging pop hook that makes me think of the Police, but mor…
This is the album that you finally hear, and say, “I get it!” The fourth rele…
These five song CDs can be so frustrating. Tease, tease, tease, and Paris, Te…
So, You Think It’s Hot Here? (Polyvinyl). Review by Andrew Chadwick
Lucky To Be Alive (Glue Factory). Review by Andrew Chadwick
So, You Think It’s Hot Here? (Polyvinyl). Review by Tom Minarchick
The Great Communicators, The Interpreters, The Non-Believers (Polyvinyl). Review by Tom Minarchick
American Football (Polyvinyl). Review by Andrew Chadwick
3 x 3 for 3 1/2 (Polyvinyl). Review by Tom Minarchick
Past Worn Searching (Polyvinyl). Review by Tom Minarchick
American Football (Polyvinyl). Review by Tom Minarchick
Paris, Texas (Polyvinyl). Review by Tom Minarchick
Frame and Canvas (Polyvinyl). Review by Andrew Chadwick
Time Of My Life (Frenchkiss Records). Review by Danielle Holian. Featured photo by Jim Fuller.
The Shape of Punk to Come: A Chimerical Bombination in 12 Bursts (Epitaph). Review by Steven Cruse.
A Peak in the Signal: Live 1979-1980 (Tiny Global Productions). Review by Peter Lindblad.
We Take No Prisoners (The Singles: 1995 – 2006) (BMG). Review by Christopher Long.
Bob Mould finishes his 2024 Fall Solo Tour, bringing legendary energy to Atlanta.
Featured photo by Charles DJ Deppner.
Crescent City Jewels (Troubadour Jass ). Review by Bob Pomeroy.
Featured photo by Eric Waters and Girard Mouton.
For the tenth straight year, Lily and Generoso proudly present their coverage of AFI Fest, Los Angeles’s premiere film festival which took place in Hollywood this October.
Featured photo courtesy of AFI Fest.