Rancid
Tomorrow Never Comes (Epitaph). Review by Steven Cruse.
Tomorrow Never Comes (Epitaph). Review by Steven Cruse.
Games of Power (La Vida Es Un Mus Discos). Review by Steven Cruse.
Sound Salvation takes on current events with a playlist addressing the current fight for racial and social justice in America and the battles playing out in the streets in the aftermath of the death of George Floyd.
Kamikaze (Votiv Music). Review by Jen Cray.
Renegade. Review by Carl F Gauze.
All the punks who didn’t die became middle-aged and had children. Who could have imagined?
Strung Out gives standard Orlando fare a run for its money, abusing, shredding, and grinding the hell out of every inch of The Social’s stage to fans’ delight.
Packing enough punk ‘n’ roll to wake up a sleepy Florida Friday afternoon, Riverboat Gamblers plowed through a matinee set at The Social that left Jen Cray sweaty and smiling.
The Saint Alvia Cartel (Stomp). Review by Jen Cray.
Punk rock meets Mickey Mouse as Rancid storms the Magic Kingdom’s House of Blues. Jen Cray squeezes into the sold-out crowd.
After a sorely disappointing trek to the world of Taste of Chaos, Jen Cray reveled in the musky sweat of a much more personable Time Again gig at The Social.
NOFX is one of the last true California punk bands to not only still make music, but also still sell out shows. Jen Cray was just another fan inside the House of Blues when the band plowed through Orlando recently.
Darker Days (Hellcat). Review by Jen Cray.
The Meanest of Times (Born & Bred). Review by Jen Cray.
Escape From L.A. (Hellcat). Review by Jen Cray.
Hellbound and Heartless (Hellcat). Review by Jen Cray.
New Maps of Hell (Epitaph). Review by Jen Cray.
Music From Regions Beyond (Hellcat). Review by Jen Cray.
Orlando’s most fashionable punks lined up around the block for the Hellcat tour headlined by psychobilly veterans, Nekromantix. Amongst the bequiffed masses was Jen Cray.
NJ’s pre-emo/melodic hardcore cult favorites Lifetime may have pissed off a lot of fans by signing to Pete Wentz’s Decaydance label, but their show with The Draft still almost sold-out Orlando’s The Social. Amongst the crowd was newly christened fan Jen Cray.
The Mighty Warriors: Live in Antwerp (Elemental Music). Review by Bob Pomeroy.
40 years on, Michael Gira and Swans continue to bring a ritualistic experience that needs to be heard in order to be believed. Featured photo by Reese Cann.
The biggest astronomical event of the decade coincides with a long overdue trip to Austin, Texas.
Sofia and Louise have just graduated nursing school. They have no idea what they’ve signed up for.
At the Showcase: Live in Chicago 1976/1977 (Jazz Detective). Review by Bob Pomeroy.
Atlantis Lullaby: The Concert in Avignon (Elemental Music). Review by Bob Pomeroy.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.