The glass bottom boat of the cultural press
Radio Khartoum works hard to set itself apart from the indie-pop pack, working with non-Anglo American bands like Cessna and Watoo Watoo, and releasing material exclusively on three-inch CDs. Andrew Muzyk corresponds with label head Alexander Bailey to discover what drives RK’s unique approach.
One of the most interesting new labels on the indie pop scene is the New Hampshire-based Red Carpet Ring. Randall Stephens talked with label founder Paul Vittum to find out what’s new at the home of such bands as the Princeton Reverbs Colonial, My Place in Space, and Fablefactory.
The Princeton Reverbs Colonial is a pillar of the Red Carpet Ring label. RCR…
This week, Christopher Long reveals one of his most amazing vintage vinyl acquisitions: an original pressing of Aladdin Sane — the iconic 1973 slab from David Bowie. Why so amazing? He nabbed it for FREE!
Who’s Making You Feel It (Darkroom/Polydor/Capitol). Review by Danielle Holian.
Film noir meets Sci-fi horror in Evan Marlowe’s bizarre puppet film Abruptio. Phil Bailey promises you have never seen anything quite like it.
Cheerleader’s Wild Weekend, aka The Great American Girl Robbery, entered the fray in 1979 with its odd mashup of hostage drama, comedic crime caper, and good old fashioned T & A hijinks. Phil Bailey reviews the Blu-ray release.
In this latest installment of his weekly series, Christopher Long discovers and scores a secondhand vinyl copy of one of his all-time favorite LPs: 2XS (To Excess), the splendid 1982 flop from the iconic Scottish powerhouse, Nazareth.
A Murmuration of Capitalist Bees (Expert Work Records, Dipterid Records). Review by Peter Lindblad.