The glass bottom boat of the cultural press
Chairy Girl emerges after months on a secret undercover mission, staggering, wounded, muttering over and over, “Livejournals are the death of everything sacred.” Here’s what we could piece together from her report.
Chairy girl gives us heartrending monolgue, the waning trickle of a stream of consciousness, in Maketh Me Swoon.
Columns offers a firm welcome handshake to Chairy Girl, mastermind behind Maketh Me Swoon. In this episode, we see the awkward dumping spiel, awkwardly delivered via email. This is gonna be good.
40 years on, Michael Gira and Swans continue to bring a ritualistic experience that needs to be heard in order to be believed. Featured photo by Reese Cann.
The biggest astronomical event of the decade coincides with a long overdue trip to Austin, Texas.
Sofia and Louise have just graduated nursing school. They have no idea what they’ve signed up for.
At the Showcase: Live in Chicago 1976/1977 (Jazz Detective). Review by Bob Pomeroy.
Atlantis Lullaby: The Concert in Avignon (Elemental Music). Review by Bob Pomeroy.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
