- Screen Reviews
- July 9, 2020
Newly restored, this British dream horror has never looked better.
The Bright Orange Years (Merge Records). Review by Scott Adams.
On the Chewing Gum Floor (K Records). Review by Andrew Coulon.
Birds On Wires (Hey!LowSound Recordings). Review by Robert M. Sutton.
Ancestor (Kemado). Review by Jen Cray.
Matthew Moyer spends a quiet night in with TSOL.
The Lord Dog Bird (Jagjaguwar). Review by Aaron Shaul.
Before This Winter Ends (Self Released). Review by Carl F Gauze.
For his first live review, Tim Wardyn brought his wife along to one of the biggest concerts of the year in one of the best venues in the nation. Once the smoke cleared (literally), one band played like it was 1985 and another acquired a new fan.
Carl F Gauze takes an armchair tour through old Atlanta, courtesy of Zeus Henderson’s super-8 camera.
Langerado is no longer just for fans of jam bands. Now in its sixth year, the Florida festival has expanded into a four day event that scored R.E.M. and the Beastie Boys as headliners. Jen Cray spent some time in the Everglades swamplands to join in on the party.
Dead Confederate EP (The Artists Organization/Razor & Tie). Review by Jen Cray.
Editors remind Orlando audiences that it was the UK that birthed their brand of darkly deep indie rock. Jen Cray couldn’t help but wonder if they were ripping off Joy Division, or Interpol’s interpretation of Joy Division.
One Small Step For Landmines (Civil Defense League). Review by Jen Cray.
The Air Salesman (International Hits). Review by Jen Cray.
Midnight Cashier (Dirtnap). Review by Jen Cray.
Personal Stereo (Beatservice). Review by Aaron Shaul.
Little Amber Bottles (Original Signal). Review by Jen Cray.
Summerbirds In the Cellar have developed such a large Orlando following that the cd release party for their long-awaited sophomore disc, Druids, demanded not one but two shows. Jen Cray dropped in for the early show.
The Busy Signals (Dirtnap). Review by Jen Cray.
Asleep At Heaven’s Gate (Brushfire). Review by Jen Cray.