The glass bottom boat of the cultural press
This week, Christopher Long recounts the time he was blessed with a bounty of beautiful vintage LPs from a wonderful bygone era — a massive haul that included the instant crown jewel of his classic crooner collection: an original 1958 mono pressing of Tony’s Greatest Hits. And he got it ALL for FREE!
Afraid of Ghosts (Dangerbird Records). Review by Christopher Long.
Jake Brown takes advantage of the 25th anniversary of Def Jam Records to present music fans with his appreciation of its co-founder, Rick Rubin.
Fancy (Prawn Song Records). Review by Cindy Barrymore.
Anthology (Mercury / Universal). Review by Bill Campbell.
Anthology (Motown / Universal). Review by Bill Campbell.
Volume 2 (Hip-O). Review by Lips Fresno.
Event Review by Bing Futch
A former convict returns to London to avenge his former enemies and save his daughter. Carl F. Gauze reviews the Theater West End production of Sweeney Todd.
This week, cuddly curmudgeon Christopher Long finds himself feeling even older as he hobbles through a Florida flea market in pursuit of vinyl copies of the four infamous KISS solo albums — just in time to commemorate the set’s milestone 45th anniversary.
Starting with small-time jobs, two gangsters take over all the crime in Marseilles in this well-paced and entertaining French film. Carl F. Gauze reviews the freshly released Arrow Video Blu-ray edition of Borsalino (1970).
Aaron Tanner delivers 400 pages of visual delights from the ever-enigmatic band, The Residents, in The Residents Visual History Book: A Sight for Sore Eyes, Vol. 2.
Two teenage boys build a sexy computer girlfriend with an 8-bit computer… you know the story. Carl F. Gauze reviews Weird Science (1985), in a new 4K UHD Blu-ray release from Arrow Films.
Cauldron Films’ new UHD/Blu-ray release of Lucio Fulci’s City of the Living Dead (1980) preserves one of the best Italian horror films, according to Phil Bailey.
Marleen Gorris’s first theatrical feature is a potent feminist look at the easily disposable lives of sex workers in Amsterdam. Phil Bailey reviews Broken Mirrors.