Natalia M. King
Woman Mind of My Own (Dixiefrog Records). Review by Bob Pomeroy.
Woman Mind of My Own (Dixiefrog Records). Review by Bob Pomeroy.
Grammy-winning artist Keb’ Mo’ rocked The Plaza Live in Orlando, Florida, and Michelle Wilson was there, loving every minute of it.
Black Top Run (Provogue/Mascot Label Group). Review by Michelle Wilson.
Peter Laughner (Smog Veil Records). Review by James Mann.
Chasing Lights (Thirty Tigers). Review by Jeremy Glazier.
Other People’s Stuff . (Republic Records) Review by Jeremy Glazier.
Jack White gives his new hometown of Nashville an epic show that involved a surprise reunion of The Raconteurs and a duet with a country music legend. Jen Cray drove 10 hours to be there.
Eric Clapton and the 1960s – Carl F Gauze thinks that’s the epitome of Classic Rock.
Take note, internet-broadcasting upstarts, the DVD reissues of Glenn O’Brien’s pioneering 1980s shambles of a talk show uncover a whole new level of transcendent slack. On this episode: Jeffrey Lee Pierce!
Rediscovering Lonnie Johnson (Range). Review by Jen Cray.
Idlewild (La Face). Review by Heather Lorusso.
Cold As Ice (Telarc). Review by Carl F Gauze.
Me and Mr. Johnson (Reprise). Review by James Mann.
Me and Mr. Johnson (Reprise). Review by James Mann.
Trouble No More (Columbia). Review by Matt Cibula.
Got What We Want (Fall of Rome). Review by Kristina Francisco.
Tonight It’s Now or Never (DCN). Review by Sean Slone.
We Are the Boggs We Are (Arena Rock). Review by Matt Cibula.
Hard Hitting Songs for Hard Hit People (RAFR). Review by David Lee Beowulf.
The Songs of Charley Patton (Telarc Blues). Review by James Mann.
Sharon Van Etten & The Attachment Theory (Jagjaguwar). Review by Peter Lindblad.
This week, Christopher Long goes “gaga” over discovering an ’80s treasure: an OG vinyl copy of Spring Session M, the timeless 1982 classic from Missing Persons — for just six bucks!
Both bold experiment and colossal failure in the 1960s, Esperanto language art house horror film Incubus returns with pre-_Star Trek_ William Shatner to claim a perhaps more serious audience.
You Can’t Tell Me I’m Not What I Used To Be (North & Left Records). Review by Randy Radic.
In this latest installment of his weekly series, Christopher Long is betrayed by his longtime GF when she swipes his copy of Loretta Lynn’s Greatest Hits Vol. II right out from under his nose while rummaging through a south Florida junk store.