The Front Man
Twenty years of hard rocking leads to a nice home in the suburbs, a stable marriage and a beautiful daughter.
Tag: rock and roll
AKA Doc Pomus
A Jewish kid from Brooklyn becomes the king of the blues in the classic Brill Building.
Black River
BlackNRoll (Armoury). Review by Matthew Moyer.
Los Lobos
Tin Can Trust (Shout! Factory). Review by Carl F Gauze.
Wallpaper
On the Chewing Gum Floor (K Records). Review by Andrew Coulon.
Nashville Pussy
From Hell To Texas (Steamhammer / SPV). Review by Carl F Gauze.
Los Dryheavers
Words of Surrender (Lorelei Records). Review by Carl F Gauze.
North Lincoln
Truth is a Menace (No Idea). Review by Daniel Mitchell.
The Saw Doctors
Carl F Gauze – and most likely the rest of the home audience – is not one for the singalong. Sometimes, you just gotta let the band do its thing.
The Saw Doctors
Irish,Celtic,rock and roll,The Saw Doctors,In Concert Live In Galway,Shamtown Records,Carl F Gauze
Suffrajett
Suffrajett (In Music We Trust Records). Review by Daniel Mitchell.
The Elms
Truth, Soul, Rock & Roll (Sparrow Records). Review by Daniel Mitchell.
Sixty Watt Shaman
Reason To Live (Spitfire). Review by Daniel Mitchell.
The GC5
Never Bet the Devil Your Head (Cosa Nostra). Review by Brian Kruger.
Because We Care
A Benefit For the Children’s Hospital of Orange County (Glue Factory). Review by Carl F. Gauze.
I Love Rock and Roll
What is love? Features Editor James Mann tells of his longest lasting affair.
The Liars Academy
No News Is Good News (Equal Vision). Review by Brian Kruger.
The Black Halos
Whether it’s for Cheap Thrills or a symptom of the Dionysus Syndrome, The Black Halos know that in the end, it’s only rock & roll – and they like it! Gail Worley risks international phone lines to catch up with frontman (and wild man!) Billy Hopeless.
Supersuckers
The Supersuckers, with Los Infernos and Furious Four (The Hustler, Indialantic, FL, May 17, 2000). Concert review by Phillip Haire.
The Blue Joules
The Blue Joules, with Nasty Habit (The Neptune Lounge, Tarpon Springs, FL, May 27, 2000). Concert Review by Lee Ann Leach.
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