Altamont
The Monkees’ Uncle (AntAcidAudio). Review by Matthew Moyer.
The Monkees’ Uncle (AntAcidAudio). Review by Matthew Moyer.
Northern Light (Metropolis). Review by Matthew Moyer.
For Your Protection (Twenty Stone Blatt). Review by Stein Haukland.
“Melodic with a touch of groove and an anemic, very white approach to the vocals, but still soulful.” Gail Worley talks to Johnny Marr, currently of The Healers and formerly of the Smiths, and manages to keep it together. Mostly.
Meltdown (self-released). Review by Gail Worley.
Private Lines EP (Jagjaguwar). Review by Stein Haukland.
Tomorrow Waits (Cur on a Glider). Review by James Mann.
Frantic (Virgin). Review by Sean Slone.
Too melodic for punk, too gritty for “new wave” – The Psychedelic Furs are a hard band to pigeonhole, which makes them that much more rewarding. Steve Stav speaks with legendary frontman Richard Butler.
Everything Changes, Everything Stays the Same (Tapete Records). Review by Peter Lindblad.
Stories I Only Tell My Friends (Blackbird Records). Review by Bob Pomeroy.
Bone Bells (Pyroclastic Records). Review by Bob Pomeroy.
In this installment of his popular weekly series, Christopher Long recalls rolling up on a used record joint in Myrtle Beach where he scored a clean and quiet vinyl copy of Hermit of Mink Hollow, the 1978 masterpiece from Todd Rundgren, for just $2.
Ink 19 spoke with Brendan James to discuss the inspiration behind Chasing Light, his uniquely alluring sound, and why he makes music.
Serving as an inspirational beacon for aspiring musicians and artists — women and men alike — Beat Keepers: The Next Chapter may not be a big-budget feature, but its heartbeat is HUGE!
Let the Good Times Roll (Vegas Records). Review by Bob Pomeroy.