Rip It Up: The Specialty Records Story
A love of gospel music gave Art Rupe his start in the music business. It lead to Specialty Records and his cast of Hall of Famers.
A love of gospel music gave Art Rupe his start in the music business. It lead to Specialty Records and his cast of Hall of Famers.
Good For My Soul (Terraplane Records). Review by Bob Pomeroy.
1619 Broadway: The Brill Building Project (Concord Records). Review by Carl F Gauze.
El Rego Et Ses Commandos (Daptone). Review by Matthew Moyer.
Live on the Sunset Strip (Stax). Review by Scott Adams.
The Way I See It (Sony BMG/Columbia). Review by John-Thomas Crockett.
Introducing (I and Ear). Review by Jen Cray.
Travelin’ On (King Mouse). Review by Andrew Ellis.
Unclassified (Warner Brothers). Review by Tim Wardyn.
Time Of My Life (Frenchkiss Records). Review by Danielle Holian. Featured photo by Jim Fuller.
The Shape of Punk to Come: A Chimerical Bombination in 12 Bursts (Epitaph). Review by Steven Cruse.
A Peak in the Signal: Live 1979-1980 (Tiny Global Productions). Review by Peter Lindblad.
We Take No Prisoners (The Singles: 1995 – 2006) (BMG). Review by Christopher Long.
Bob Mould finishes his 2024 Fall Solo Tour, bringing legendary energy to Atlanta.
Featured photo by Charles DJ Deppner.
Crescent City Jewels (Troubadour Jass ). Review by Bob Pomeroy.
Featured photo by Eric Waters and Girard Mouton.
For the tenth straight year, Lily and Generoso proudly present their coverage of AFI Fest, Los Angeles’s premiere film festival which took place in Hollywood this October.
Featured photo courtesy of AFI Fest.
The Best of hackedepicciotto (Live in Napoli) (Mute). Review by Peter Lindblad.