Sass Jordan
Joe Frietze talked with Sass Jordan about her new live album featuring a set from 1994 with a young Taylor Hawkins on drums, the changing music industry, the use of rain as a musical trope, and electrolytes.
Joe Frietze talked with Sass Jordan about her new live album featuring a set from 1994 with a young Taylor Hawkins on drums, the changing music industry, the use of rain as a musical trope, and electrolytes.
Live In New York Ninety-Four (Deko Entertainment). Review by Joe Frietze.
Wild and Free (Devious Planet). Review by Joe Frietze.
Everything Changes, Everything Stays the Same (Tapete Records). Review by Peter Lindblad.
Stories I Only Tell My Friends (Blackbird Records). Review by Bob Pomeroy.
Bone Bells (Pyroclastic Records). Review by Bob Pomeroy.
In this installment of his popular weekly series, Christopher Long recalls rolling up on a used record joint in Myrtle Beach where he scored a clean and quiet vinyl copy of Hermit of Mink Hollow, the 1978 masterpiece from Todd Rundgren, for just $2.
Ink 19 spoke with Brendan James to discuss the inspiration behind Chasing Light, his uniquely alluring sound, and why he makes music.
Serving as an inspirational beacon for aspiring musicians and artists — women and men alike — Beat Keepers: The Next Chapter may not be a big-budget feature, but its heartbeat is HUGE!
Let the Good Times Roll (Vegas Records). Review by Bob Pomeroy.