Dissolute young men look for love and freedom from their imperious aunt.
A moderately talented singer gets a reasonably bad recording deal and maybe a so-so girlfriend in Henry Phillips‘ saucily-titled indie film.
The Ideal Home Music Library (Hush). Review by Carl F Gauze.
Don’t Drink His Blood (Temporary Residence). Review by Aaron Shaul.
The music world is rocked by news that Britney Spears’ next album will be a track-for-track remake of The Clash’s seminal London Calling. Julio Diaz gets the full story.
Black Top Run (Provogue/Mascot Label Group). Review by Michelle Wilson.
Livestream some early classics with Model and Massa. What else ya got to do?
The Who’s legendary bassist comes to life in The Ox.
Afterglow (Landslide Records). Review by Michelle Wilson.
Performance Art for the quarantined.
Wayback Machine (Electro-Fi records). Review by Carl F. Gauze.
When I Was a Writer (Pravda). Review by Bob Pomeroy.
Forever Man . Review by Stacey Zering.
A fight to the finish…with makeup…on Netflix’s Glow Up!
Remember You (Edgeout Records/UME). Review by Michelle Wilson.