Sepultura
Roorback (SPV). Review by Daniel Mitchell.
Roorback (SPV). Review by Daniel Mitchell.
Roorback (SPV). Review by Daniel Mitchell.
The Impossibility of Reason (Roadrunner). Review by Stein Haukland.
Killbox 13 (Spitfire). Review by Daniel Mitchell.
Just how do you get to a VANS Warped Tour stage if you’re an unsigned band? Gail Worley talks with 2 Cents’ drummer/vocalist Adam O’Rourke to find out.
A Tribute to Cradle of Filth (Deadline Records). Review by Vinnie Apicella.
East Bay Ray proves there is life after Jello for the Dead Kennedys. Vinnie Apicella gets it all.
Perfection in Pain (Wicked World / Earache). Review by Stein Haukland.
Lover Of Sin (Candlelight). Review by Matthew Moyer.
A Thousand Deaths (World War III). Review by Daniel Mitchell.
The Sin War (Metal Blade). Review by Daniel Mitchell.
Insense (This Dark Reign / Devil Doll). Review by Stein Haukland.
Daniel Mitchell discusses the importance of turning a blind eye to Satan with Bruce Fitzhugh from Living Sacrifice.
Violent Revolution (SPV). Review by Stein Haukland.
First Round Knockout (The Music Cartel). Review by Daniel Mitchell.
Deletion Of Humanoise (Crash). Review by Stein Haukland.
Cain’s Way (World War III). Review by Daniel Mitchell.
The Art of Balance (Century Media). Review by Daniel Mitchell.
Stone Sour (Roadrunner). Review by Daniel Mitchell.
Blood Rapture (Metal Blade). Review by Matthew Moyer.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.