Something Quite Peculiar (Science). Review by Jen Cray.

Until I’m There/Days Will Pass 7” (It’s a Trap!). Review by Aaron Shaul.

The Snow Patrol tour was as much about opening acts Ok Go and Silversun Pickups as it was about the Irish headliners. Jen Cray was among those lucky enough to score a ticket to the sold-out event.

Carnavas (Dangerbird). Review by Jen Cray.

Everything Starts Where It Ends (The Militia Group). Review by Jen Cray.

The Red Hot Chili Peppers came to Orlando to blow away yet another soldout crowd, including Jen Cray who had been waiting to see them play for 15 years.

Gang of Losers (Arts & Crafts). Review by Jen Cray.

Cinematic (). Review by Kyrby Raine.

We Are Not Alone (Hollywood). Review by Tim Wardyn.

evergreen terrace,hardcore,writer’s block,covers,cover songs,metal,Evergreen Terrace,Writer’s Block,Eulogy,by Nick Plante

Writer’s Block (Eulogy). Review by by Nick Plante.

The <b>Snow Patrol</b> tour was as much about opening acts <b>Ok Go</b> and <b>Silversun Pickups</b> as it was about the Irish headliners. Jen Cray was among those lucky enough to score a ticket to the sold-out event.

The World is Bound by Secret Knots (Petridish). Review by Stein Haukland.

The year 2003 isn’t officially over until we’ve had Gail Worley’s picks from the mountain of interviews she did over those twelve months. It’s a rock zeitgeist!

For Never and Ever (Atlantic). Review by Andrew Ellis.

Take Them On, On Your Own (Virgin). Review by Aaron Shaul.

Just how can you keep your drum patterns fresh? Gail Worley speaks to master rhythm chef Stephen Perkins about that and cooking with Tommy Lee, in this second part of her two-part interview.

Ascend to the Stars (Crank!). Review by Dan Stapleton.

The Race For Second (Sonic Boom Recordings). Review by Aaron Shaul.

Conclusion To The Intro… (self-released). Review by Stein Haukland.