Flare Acoustic Arts League
Cut (Affairs of the Heart). Review by Matthew Moyer.
Cut (Affairs of the Heart). Review by Matthew Moyer.
We Are All Waiting For Hope (Fish the Cat). Review by Ben Varkentine.
Dylan Garret chats with Dan Geller of I Am The World Trade Center about dance music, DJing, downloads, and how New York City needs to stop being so damned expensive already. All this and more, with less questions about the band’s name than you’ve come to expect. Well, okay, just one. But it’s a good one.
Morrissey,Quarry,Irish,Blood,Smiths,Attack,Morrissey,You Are The Quarry,Attack/Sanctuary,Kiran Aditham
You Are The Quarry (Attack/Sanctuary). Review by Kiran Aditham.
Draining The Glass: 1982-1986 (Fire). Review by Ian Koss.
A little bit of hardcore, a little bit of power pop, a little bit of new wave, a little bit of rock and roll, and a little bit of punk – Roi Tamkin caught an eclectic show with Sense Field, the Stereo, and Lift at Atlanta’s Echo Lounge on April 27, 2000.
Twenty-three years after his Sonic Recipe for Love, Steve Stav writes a playlist for the brokenhearted victims of another corporate holiday: the first Valentine’s Day of the second Trump era.
Phil Bailey reviews Rampo Noir, a four part, surreal horror anthology film based on the works of Japan’s horror legend, Edogawa Rampo.
In this latest installment of his popular weekly series, Christopher Long finds himself dumpster diving at a groovy music joint in Oklahoma City, where he scores a bagful of treasure for UNDER $20 — including a well-cared-for $3 vinyl copy of Life for the Taking, the platinum-selling 1978 sophomore set from Eddie Money.
Ink 19’s Liz Weiss spends an intimate evening with Gregory Alan Isakov.
Sharon Van Etten & The Attachment Theory (Jagjaguwar). Review by Peter Lindblad.
This week, Christopher Long goes “gaga” over discovering an ’80s treasure: an OG vinyl copy of Spring Session M, the timeless 1982 classic from Missing Persons — for just six bucks!
Both bold experiment and colossal failure in the 1960s, Esperanto language art house horror film Incubus returns with pre-_Star Trek_ William Shatner to claim a perhaps more serious audience.
You Can’t Tell Me I’m Not What I Used To Be (North & Left Records). Review by Randy Radic.