Marvel Comics in the 1960s
Pierre Comtois breaks down the first ten years of Marvel into three phases and the comics that epitomize them in his Field Guide.
Pierre Comtois breaks down the first ten years of Marvel into three phases and the comics that epitomize them in his Field Guide.
Twomorrows gives the Modern Masters treatment to John Romita Jr. , who is doing a fine job in living up to his father’s rich artistic legacy at Marvel Comics.
X-ray vision is pretty useful, and the Batmobile is one sweet ride, but there’s something about a high-flying, heavily-armored man with a drinking problem that really captures Steve Stav’s imagination.
Still depressed over that last Spider-Man movie? Matthew Moyer recommends you pick up this collection of interviews with Spidey artist extraordinaire Romita and travel back to a simpler time in Marvel Comics. Face it tiger, this is your lucky day!
“Flame on!” With that iconic phrase, Marvel Comics’ first super-group – the Fantastic Four – finally make their appearance on the big screen this summer. Can Tim Story’s presentation of the classic comic book possibly live up to the hype? More importantly, does the movie reach Spider-Man levels of filmmaking genius…or will it join Hulk and Elektra in the dustbin of superhero duds? Our resident Jack Kirby worshipper, Steve Stav , just might have the answer.
Hulk finally has movie. Hulk becomes Ang Lee’s cinematic plaything. Hulk smash – or does he? Steve Stav, resident Marvel Comics afficionado, explores the effects of gamma radiation in his green-tinted review.
Director Sam Raimi brings the Marvel Comics hero who “does whatever a spider can” to the big screen for the first time. Can he swing from a thread? Take a look at Ben Varkentine’s review to find out!
Blood, guts, and kicking butt in France — it’s the age-old story of Shakespeare. Carl F. Gauze once again enjoys the salacious violence and complicated plot points of Henry V, in the moody dark of Orlando Shakes.
Infidelity, agoraphobia and Ice Capades. Carl F. Gauze attempts to find an answer to the question “How Florida can you get?” in The Great American Trailer Park Musical at Theater West End.
Jeremy Glazier catches Ian Noe at the Rust Belt, where they discuss putting Between the Country together, some of the influences that affect Noe’s songwriting, and his dislike of EPs.
Christopher Long scores an absolutely ravaged vinyl copy of the 1977 self-titled debut from Karla Bonoff at a Florida flea market — for FREE!
Carl F. Gauze reviews this comprehensive look at the early works of Muppets creator Jim Henson by Craig Shemin.
Robert Pomeroy tracks down a long lost album on the web and catches up with two other bands on Facebook.
On today’s New Music Now, Judy Craddock talks to our musical guest, Nora O’Connor, about her solo album, My Heart, and the captivating new music she’s listening to right now. Tune in for great music, and more ’90s references than you can shake a scrunchie at.
Writer Kazuo Kasahara and director Kôsaku Yamashita transcend genre conventions to create the memorable film Big Time Gambling Boss. Phil Bailey reviews.
Frank Bello’s new memoir Fathers, Brothers, and Sons: Surviving Anguish, Abandonment, and Anthrax takes us from a New York childhood, to Anthrax stadium tours, to fatherhood with the charming informality of a conversation with an old friend. Then I’m Gone, Bello’s first solo EP, provides accompaniment. Joe Frietze reviews.
Savvy shopper Christopher Long scores a dodgy-looking copy of the Crosby, Stills, Nash & Young classic, Déjà Vu, on fairly decent-sounding vinyl — for just 50¢.
Carl F. Gauze caught a certain trio of android warrior sisters at the Enzian’s Robotica Destructiva premiere.
Brevard County showed their support for music in the community as nearly five thousand people attended the 2022 Space Coast Music Festival.