- Music Reviews
- February 21, 2020
Technicolor (MonoMundo). Review by Bob Pomeroy.
Generation Axe brought their spectacular shredder show to Orlando in December, and Michelle Wilson was right there among the fans to get her face melted off.
In2ition (Sony Music Entertainment / Master Works). Review by Carl F Gauze.
If Not Now, When? (Epic Records). Review by Eli Didier.
Too young to be fully cognizant of the more embarrassing excesses of Gothic music over the past twenty years, the young Turks of NYC’s own Blacklist are, perhaps unwittingly, the best hope of redeeming Goth-metal. Fresh from a European tour complete with horned hotel antics, Blacklist frontman and provocateur Josh Strawn told Ink 19 all about how he learned to stop worrying and love Motorhead and Scott Walker equally.
Right Place, Right Time. Review by Robert M. Sutton.
Wagner’s War (Blood and Guts Music). Review by Matthew Moyer.
Zero Words or Less (self-released). Review by Kyrby Raine.
Living Colour,Jazz,fusion,free form,instrumental,experimental,groovy,Vernon Reid & Masque,Known Unknown,Favored Nations,Joe Frietze
Known Unknown (Favored Nations). Review by Joe Frietze.
Volume 2 (Independent). Review by James Mann.
Accelerated Evolution (InsideOut / SPV). Review by Stein Haukland.
Birdland (Favored Nations). Review by James Mann.
The De-Evolution of Yasmine Bleeth (Ed Furniture). Review by Julio Diaz.
Strange Beautiful Music (Sony / Epic). Review by Joe Frietze.
Split Decision (Magna Carta). Review by Joe Frietze.
Compression (Favored Nations/Zain). Review by Nathan T. Birk.